by Sneha Subramanian Kanta
how you eat the fallen figs
your body full of soil scents –
arm clutched to my side,
bare bodies of autumn’s pride.
your fingers, opening a map –
nail pointing eastward
moving subtly, then all at once
over the body of the large Pacific.
how your mouth, partly open
devours my mouth, in exploration –
then, like ancient forest-dwellers
sing ourselves to sleep, meditating.
how chants, escape your tongue,
lick my senses into molten clay –
how, in a world of immigrants,
we find – a land unknown, to stay.
Sunday, December 18, 2016
Repeater
by Denny E. Marshall
Dust bowl of the 30’s
After hundred years
Of raping Nebraska aquifer
Dust bowl of the 30’s
Dust bowl of the 30’s
After hundred years
Of raping Nebraska aquifer
Dust bowl of the 30’s
Nightly Eye Shine
by Suzanne Cottrell
Night
cold grass
green eye shine,
Carolina Wolf Spiders
hunting crickets.
Night
cold grass
green eye shine,
Carolina Wolf Spiders
hunting crickets.
a small end
(for Martha Landman)
by James Bell
see the red click beetle
crawl over a log choose
that one for the wood stove
instead of others on the stack
sit to feel some heat
with a modicum of guilt
about what made you make
that choice listen for a pop
some kind of cry
only the regular click
of the stove as it warms
the log bursts into flames
see the red click beetle
crawl over a log choose
that one for the wood stove
instead of others on the stack
sit to feel some heat
with a modicum of guilt
about what made you make
that choice listen for a pop
some kind of cry
only the regular click
of the stove as it warms
the log bursts into flames
Wednesday, December 14, 2016
Feeding
by Subhra Bhattacharya
The school of fish
feed on the dead baby octopus
one leg at a time
in bites and chunks
till all that is left
is a gelatinous blob
shaking in the water.
You didn't get there on time
to grill it
serve it on a platter.
The school of fish
feed on the dead baby octopus
one leg at a time
in bites and chunks
till all that is left
is a gelatinous blob
shaking in the water.
You didn't get there on time
to grill it
serve it on a platter.
Sunday, December 11, 2016
Listening to a Crow Lecture
by Don Thompson
Clinging to the old oak
as if tenured, a crow
has been holding a seminar.
Three or four students listen,
compelled, powerless to resist
nihilism: Nothing is good,
according to that harsh caw,
not at all hard to translate
into human sentiments.
I’d take notes myself,
but keep being distracted by
how eager the leaves seem,
motionless in dead air, to dance
as soon as the breeze comes up.
And it will.
Clinging to the old oak
as if tenured, a crow
has been holding a seminar.
Three or four students listen,
compelled, powerless to resist
nihilism: Nothing is good,
according to that harsh caw,
not at all hard to translate
into human sentiments.
I’d take notes myself,
but keep being distracted by
how eager the leaves seem,
motionless in dead air, to dance
as soon as the breeze comes up.
And it will.
Sunday, December 4, 2016
Wednesday, November 30, 2016
Droughtland Smoothie
by Elizabeth Kuelbs
Beat sun up. Blend 2 cups fresh
ash, 1 billow smoke, 1/4 manzanita
bone, 1 heat-scarred flight feather, hawk
or owl, 2 tablespoons doomy noon
twilight, 1 chlorinated
bee, ice.
Drink.
Hairline to navel (ignore sunburn tenderness) unzip skin.
Wait
for lush tumble
of mist, of river, of willow, wait
for singing oak canopy, for poppy, for mallow, for
coyote mint. Wait in the dark
for rain.
Beat sun up. Blend 2 cups fresh
ash, 1 billow smoke, 1/4 manzanita
bone, 1 heat-scarred flight feather, hawk
or owl, 2 tablespoons doomy noon
twilight, 1 chlorinated
bee, ice.
Drink.
Hairline to navel (ignore sunburn tenderness) unzip skin.
Wait
for lush tumble
of mist, of river, of willow, wait
for singing oak canopy, for poppy, for mallow, for
coyote mint. Wait in the dark
for rain.
Sunday, November 27, 2016
The Old Gods
by Ed Hack
The old gods of the fields, of wheat and corn,
of rye, of vegetables, are dying back
into the earth. The autumn's silver horn
of knife-edge light rings out the time of lack,
of ice as pitiless as life can be,
of frozen ground entombing old spent earth
that sleeps exhausted as the naked trees
that wait, like ice-bound earth, for their spring birth.
The shriveled tassels of the corn are brown
and limp, tied to the bridge to celebrate
the harvesting of Time. The river sounds
like all that crashes to its end to sate
the hungers of its life. A rush. A roar.
And then an evening as it spreads out
and leaves the falls behind. Now less is more
as water calms, a mind without a doubt.
The old gods do not say a thing. They wait.
They know that Time's another word for Fate.
The old gods of the fields, of wheat and corn,
of rye, of vegetables, are dying back
into the earth. The autumn's silver horn
of knife-edge light rings out the time of lack,
of ice as pitiless as life can be,
of frozen ground entombing old spent earth
that sleeps exhausted as the naked trees
that wait, like ice-bound earth, for their spring birth.
The shriveled tassels of the corn are brown
and limp, tied to the bridge to celebrate
the harvesting of Time. The river sounds
like all that crashes to its end to sate
the hungers of its life. A rush. A roar.
And then an evening as it spreads out
and leaves the falls behind. Now less is more
as water calms, a mind without a doubt.
The old gods do not say a thing. They wait.
They know that Time's another word for Fate.
Wednesday, November 23, 2016
Spare a thought for the red click beetle
(for James Bell)
by Martha Landman
by nightfall there is stillness in the forest
of beetle-larva-beetle-larva
extend their lifecycle in a relay
lying limp in the dirt
groove along sunbeams
high-jump off their backs
their way through a rotten log
blood-red beetles click-click
winter at its edge
the pine trees are down
by nightfall there is stillness in the forest
of beetle-larva-beetle-larva
extend their lifecycle in a relay
lying limp in the dirt
groove along sunbeams
high-jump off their backs
their way through a rotten log
blood-red beetles click-click
winter at its edge
the pine trees are down
Sunday, November 20, 2016
Fall
by Ed Hack
Late in the day the falls look like alum-
inum, sun blazing out a sheen like shields
upon an ancient field where men are numb
with bloody death, yet all refuse to yield.
Odd thought this autumn day with summer heat
as couples chat outside a coffee bar
at tables right across the way and treat
themselves to ease. The river travels far
to plunge with its low roar and glow
like metal tempered by the sun. Old folk
who're bent with Time amid the leaves that blow
and tumble in the silver light like hope
deferred as yellow shines from inside out.
This world is falling down--just look about.
Late in the day the falls look like alum-
inum, sun blazing out a sheen like shields
upon an ancient field where men are numb
with bloody death, yet all refuse to yield.
Odd thought this autumn day with summer heat
as couples chat outside a coffee bar
at tables right across the way and treat
themselves to ease. The river travels far
to plunge with its low roar and glow
like metal tempered by the sun. Old folk
who're bent with Time amid the leaves that blow
and tumble in the silver light like hope
deferred as yellow shines from inside out.
This world is falling down--just look about.
Aleppo
by Laughing Waters
temperature
suddenly drops
red camelia's flowers
covering ground
fresh snow
temperature
suddenly drops
red camelia's flowers
covering ground
fresh snow
Wednesday, November 16, 2016
Reflections
by Ginny Short
Uncertainty riding west
The sky clear
The ridge the south side of lightning
Find and gather self before noon
Red earth rocks branding the intersection
Of sun, sky and earth Time moves slowly
Forgotten
Long wet trails up Wolf Creek Canyon
An eternity Urging the distance
Uncertainty riding west
The sky clear
The ridge the south side of lightning
Find and gather self before noon
Red earth rocks branding the intersection
Of sun, sky and earth Time moves slowly
Forgotten
Long wet trails up Wolf Creek Canyon
An eternity Urging the distance
Sunday, November 13, 2016
Mask of Rain
by Tim Staley
There is a mask of rain
over the canyon
and over the sun.
Scarlet light
sprays from the eyes
and teeth.
The liquid tongue
laps up the canyon
and the sun.
There is a mask of rain
over the canyon
and over the sun.
Scarlet light
sprays from the eyes
and teeth.
The liquid tongue
laps up the canyon
and the sun.
Sunday, November 6, 2016
Arrival & Ascent of Autumn Immigrants
by Terrence Sykes
I am an immigrant
I am not from here
I don't own this piece of land
This small piece of Quartz
Grasped from the sandy soil
Taken in my hand
From beneath this canopy of
These PawPaw trees
These were not here
When I discovered & claimed
This as my own solitude
This enclaved fifty acres or more
Have kept my sanity from urban chaos
Who or What brought the first seed for
This clonal gathering must be content
A late frost prevented progenies
That pungent aroma of fallen ripened
Fruit upon the forest floor
Those silent shiso plants
Seeding again to scatter ascendants
Remind me of the Korean women who
Were at odds with me when gathering
Wild greens that grew
Upon the banks of this creek
Bitter greens of their own where rooted
Flourished in the swamp
Waxed then waned
Like a lunar eclipse
Their departure
Before the arrival of this shiso
Reluctantly then revealing
Established itself amongst
Others unlike themselves
These touch-me-nots
They too were not here when I came
Gems of orange fleck with gold
Emigrate me home
Remembrance of my hometown
Memories of my grandmother
I always think of her
A rose herself
Her garden of
Irises
Hydrangeas
Amongst flora & fauna
Here I have seen women
From all over the world
From where and when
In their native garments
Colorful & brilliant
As autumnal flowers
Today I walk alone
Along these paths
Who will scatter the next seed
I am not from here
I am an immigrant
I am an immigrant
I am not from here
I don't own this piece of land
This small piece of Quartz
Grasped from the sandy soil
Taken in my hand
From beneath this canopy of
These PawPaw trees
These were not here
When I discovered & claimed
This as my own solitude
This enclaved fifty acres or more
Have kept my sanity from urban chaos
Who or What brought the first seed for
This clonal gathering must be content
A late frost prevented progenies
That pungent aroma of fallen ripened
Fruit upon the forest floor
Those silent shiso plants
Seeding again to scatter ascendants
Remind me of the Korean women who
Were at odds with me when gathering
Wild greens that grew
Upon the banks of this creek
Bitter greens of their own where rooted
Flourished in the swamp
Waxed then waned
Like a lunar eclipse
Their departure
Before the arrival of this shiso
Reluctantly then revealing
Established itself amongst
Others unlike themselves
These touch-me-nots
They too were not here when I came
Gems of orange fleck with gold
Emigrate me home
Remembrance of my hometown
Memories of my grandmother
I always think of her
A rose herself
Her garden of
Irises
Hydrangeas
Amongst flora & fauna
Here I have seen women
From all over the world
From where and when
In their native garments
Colorful & brilliant
As autumnal flowers
Today I walk alone
Along these paths
Who will scatter the next seed
I am not from here
I am an immigrant
Wednesday, November 2, 2016
November in Rattlesnake Valley
by Jesse Bier
Cold fog is thick but mobile, streaming long coils
in draws, raveling gulches, strangling clumps
of young dim fir trees: moils
the air, heaves and slumps
over unseen ground, boils
spooky comfort, wallows ravines, clamps
bare corn fields, thins to mist, congeals,
smothering home and hill, with no reason spares a camp.
Where it goes is hap and hazard. Hit or miss,
this is no longer fall but winter’s start,
the drear of it, and almost the hiss
where it moves of slithercloud, gripping hearth and heart,
only easing, letting swiftly and helplessly go,
under the instant scatter magic—of first snow.
Cold fog is thick but mobile, streaming long coils
in draws, raveling gulches, strangling clumps
of young dim fir trees: moils
the air, heaves and slumps
over unseen ground, boils
spooky comfort, wallows ravines, clamps
bare corn fields, thins to mist, congeals,
smothering home and hill, with no reason spares a camp.
Where it goes is hap and hazard. Hit or miss,
this is no longer fall but winter’s start,
the drear of it, and almost the hiss
where it moves of slithercloud, gripping hearth and heart,
only easing, letting swiftly and helplessly go,
under the instant scatter magic—of first snow.
Sunday, October 30, 2016
Walking Stick
by Bob Petras
This thing called walking stick
drawn by four-year-old God
shimmies on a blade of grass
phasmid of all limbs
on Ohio island shore.
This thing called walking stick
drawn by four-year-old God
shimmies on a blade of grass
phasmid of all limbs
on Ohio island shore.
Thursday, October 27, 2016
Late Summer Song
by Lori Gravley
Underneath the electric hum and traffic noise
a smaller sound. You have to strain
to hear it, the way you must
squint to see the shadow
of a water strider traveling across the river
or the antenna of crayfish waving into current.
Say it’s a whir, but whir is fan, cool air
and the air here stifles. A buzz, maybe?
Struggle to find the word that calls sound
to your ear. Not the sound of cicadas
dropping heavy through leaves
but the soft sound that laps
at your feet in small waves:
cricket, woods, late summer.
Underneath the electric hum and traffic noise
a smaller sound. You have to strain
to hear it, the way you must
squint to see the shadow
of a water strider traveling across the river
or the antenna of crayfish waving into current.
Say it’s a whir, but whir is fan, cool air
and the air here stifles. A buzz, maybe?
Struggle to find the word that calls sound
to your ear. Not the sound of cicadas
dropping heavy through leaves
but the soft sound that laps
at your feet in small waves:
cricket, woods, late summer.
Sunday, October 23, 2016
Wednesday, October 19, 2016
Sunday, October 16, 2016
Labor Day
by Al Ortolani
At summer’s
end, the humming-
bird appears
like an after-
thought, a ( )
between worlds,
a bit of earth
and spirit combined,
small bird
bound by gravity,
hollow bone and
feather, as much
weightless as
hope itself. Wings,
transparent in
flight, race
a scuff heavier
than sunlight.
Carousing
by M.J. Iuppa
Around & around, throaty
trills & secret pleasures, finding
an entrance to a mulberry’s
cache of berries, boasting
its bottomless lure that
most goldfinches
can’t resist.
Around & around, throaty
trills & secret pleasures, finding
an entrance to a mulberry’s
cache of berries, boasting
its bottomless lure that
most goldfinches
can’t resist.
Wednesday, October 12, 2016
Sunday, October 9, 2016
Parched Fields
by Suzanne Cottrell
Stunted, spindly corn stocks
Of the Berry's Farm
On Old Whitewater Road
Browned, brittle husks
Underdeveloped kernels
Lost crop except for silage
Stunted, spindly corn stocks
Of the Berry's Farm
On Old Whitewater Road
Browned, brittle husks
Underdeveloped kernels
Lost crop except for silage
Wednesday, October 5, 2016
Bad-Ass
by E. Margareta Griffith
Yeah, okay, I'm in an air-conditioned box,
hurtling down a smooth road,
with hundreds of my kind,
toward a paved hole in the hills.
Red stones touch blue sky,
reaching from sunrise-gray rocks molded by wind and dynamite,
by no means an eternal flame, but close enough to fool my ephemeral kind.
The minerals will be there when our children are no longer our species.
The wind will tend the landscape when the highway is nothing more than travel-crumbs.
Water will smooth and crack the rocks without us to guide rivers or acidify rain.
Stones treat us gently, despite our violent adjustments,
to them we're mere newborns.
their bad-ass old age shows us up to be frail amateurs.
Our tantrums may spell the end of our toddlerhood,
or not.
The benevolent stones are unworried.
Yeah, okay, I'm in an air-conditioned box,
hurtling down a smooth road,
with hundreds of my kind,
toward a paved hole in the hills.
Red stones touch blue sky,
reaching from sunrise-gray rocks molded by wind and dynamite,
by no means an eternal flame, but close enough to fool my ephemeral kind.
The minerals will be there when our children are no longer our species.
The wind will tend the landscape when the highway is nothing more than travel-crumbs.
Water will smooth and crack the rocks without us to guide rivers or acidify rain.
Stones treat us gently, despite our violent adjustments,
to them we're mere newborns.
their bad-ass old age shows us up to be frail amateurs.
Our tantrums may spell the end of our toddlerhood,
or not.
The benevolent stones are unworried.
Sunday, October 2, 2016
Dryness acrostic middle
by Clinton Siegle
I am the dry years turned to beauty
dried plants turned ashes of grass and trees to desert beauty
rain not forthcoming waterlessness area's deserted beauty
yearly no rains creating the areas to beauty
non open clouds draining plant's beauty
ever forever a parched beauty
season of a dryness beauty
season of whether desert beauty.
Never changing beauty.
I am the dry years turned to beauty
dried plants turned ashes of grass and trees to desert beauty
rain not forthcoming waterlessness area's deserted beauty
yearly no rains creating the areas to beauty
non open clouds draining plant's beauty
ever forever a parched beauty
season of a dryness beauty
season of whether desert beauty.
Never changing beauty.
Blue Heron
by Steven K. Smith
A great blue heron is more gray than blue.
As it stands shadowed by trees lining the bank
hunting frogs and minnows while
balanced on one leg, crouched, waiting,
anyone can see that blue is wrong.
Unless you see one in full sunlight
near noon, when the sun's vertical rays
pierce the gap in the tree canopy at full power,
and it takes off in your face as you
leave the forest near the stream's bank.
Then it's a deep shade of blue, somewhere
between cobalt and steel,
as wings climb air's stairway
up from the water's spruce
to the sky's chicory.
A great blue heron is more gray than blue.
As it stands shadowed by trees lining the bank
hunting frogs and minnows while
balanced on one leg, crouched, waiting,
anyone can see that blue is wrong.
Unless you see one in full sunlight
near noon, when the sun's vertical rays
pierce the gap in the tree canopy at full power,
and it takes off in your face as you
leave the forest near the stream's bank.
Then it's a deep shade of blue, somewhere
between cobalt and steel,
as wings climb air's stairway
up from the water's spruce
to the sky's chicory.
Nature Spills into Vandals
by Clifford Brooks
One chameleon takes tentative steps
from a potted plant. Hummingbirds glint
like blades.
Opossums adore trash. Last night they
squalled and hissed over apple cores. A bear arrived.
The bandits avoided each other.
In the early hours,
mountains pour out bearded vandals. Before work begins,
they regroup and vanish.
One chameleon takes tentative steps
from a potted plant. Hummingbirds glint
like blades.
Opossums adore trash. Last night they
squalled and hissed over apple cores. A bear arrived.
The bandits avoided each other.
In the early hours,
mountains pour out bearded vandals. Before work begins,
they regroup and vanish.
Wednesday, September 28, 2016
A Dry Country
by David Chorlton
The vultures claim their portion of the sky
each day, and surrender it
with grace when the pines on the mountain
draw light through their roots
and a glow
spreads from inside.
You can see them from the porch
of an old house, built before convenience
when the miners arrived thirsty
and left without finding
what they came for. The roads
they used have outlived them,
still winding up and around
to where a shaft begins
its descent into darkness, still turning
to the dust a truck kicks out
on a day when the light is so dry
you can peel it away from the suede
colored slopes and watch
Whitetail Canyon erode.
The vultures claim their portion of the sky
each day, and surrender it
with grace when the pines on the mountain
draw light through their roots
and a glow
spreads from inside.
You can see them from the porch
of an old house, built before convenience
when the miners arrived thirsty
and left without finding
what they came for. The roads
they used have outlived them,
still winding up and around
to where a shaft begins
its descent into darkness, still turning
to the dust a truck kicks out
on a day when the light is so dry
you can peel it away from the suede
colored slopes and watch
Whitetail Canyon erode.
Rain Dance
by Wayne Scheer
they do rain dances
but have no rhythm
they sing songs
but chant off key
I offer what they need
so the rivers flow
still, they dance and sing
wanting more or less
they do rain dances
but have no rhythm
they sing songs
but chant off key
I offer what they need
so the rivers flow
still, they dance and sing
wanting more or less
Sunday, September 25, 2016
Afternoon with Closed Windows
by Olga Moskvina
Today the house burned down with me in it.
The smoke smelled like incense or something
far away, and I went back to sleep,
though it was afternoon and avocados
were rotting idly on the counter,
while fans turned like skeletal sunflowers
toward bottles of warm beer.
Were those the objects I was secretly waiting for,
trying to close suitcase after suitcase
to protect myself from them? The past tense
with avocados comes naturally,
and I no longer need to open windows
that are no longer there.
Today the house burned down with me in it.
The smoke smelled like incense or something
far away, and I went back to sleep,
though it was afternoon and avocados
were rotting idly on the counter,
while fans turned like skeletal sunflowers
toward bottles of warm beer.
Were those the objects I was secretly waiting for,
trying to close suitcase after suitcase
to protect myself from them? The past tense
with avocados comes naturally,
and I no longer need to open windows
that are no longer there.
Virago on the Ocean
by Clifford Brooks
A virago enjoys smooth indigo.
To contain her knack
to knee-jerk push back,
she wears heavy boots.
Not unhealthy or unwise,
she is seasoned.
Four unquestionable words
cement the good news
she’s signed with the crew:
I believe in you.
There’s good business
in smart romance.
Sailing without an argumentative tide,
Costa Rica ripples off
the starboard side; two twisting in love,
now listing
toward mankind.
They get close enough
to smell the sand, then
muscle beyond it
to a valley that splays open
an orchard of olive,
fig, and apple trees.
It’s too soon for tourists,
shrieking children,
and souvenirs. Tomorrow
will be all about sneaking out
for skinny dipping.
A virago enjoys smooth indigo.
To contain her knack
to knee-jerk push back,
she wears heavy boots.
Not unhealthy or unwise,
she is seasoned.
Four unquestionable words
cement the good news
she’s signed with the crew:
I believe in you.
There’s good business
in smart romance.
Sailing without an argumentative tide,
Costa Rica ripples off
the starboard side; two twisting in love,
now listing
toward mankind.
They get close enough
to smell the sand, then
muscle beyond it
to a valley that splays open
an orchard of olive,
fig, and apple trees.
It’s too soon for tourists,
shrieking children,
and souvenirs. Tomorrow
will be all about sneaking out
for skinny dipping.
Wednesday, September 21, 2016
the faithful almanack
by Richard Thompson
old laws
did not obtain:
that year
frost came
before the snow—
the fragile blossoms
with no frozen blankets
froze.
the sky
betrayed us:
rain burned
the leaves
black
as the looming sun
old laws
did not obtain:
that year
frost came
before the snow—
the fragile blossoms
with no frozen blankets
froze.
the sky
betrayed us:
rain burned
the leaves
black
as the looming sun
Morning Mist
by Ed Hack
The sun burns off the mist--no mystery,
but still. . .I wake up into morning mist;
the sun is softly radiant in trees
enmeshed in glowing gems, the dawn's last gift
before the clarity of day. Each gain
means loss, the basic mathematics of
our lives. You see. It leaves. The light explains
the rules. The worlds below, the worlds above,
the worlds inside, delirious with need,
arise like dawn, mature through afternoons,
demand the rest of night where dream exceeds
the reach of thought to ply the deep mind's loom.
Like mist our dreams with their peculiar skills
burned off by day. No mystery, but still.
The sun burns off the mist--no mystery,
but still. . .I wake up into morning mist;
the sun is softly radiant in trees
enmeshed in glowing gems, the dawn's last gift
before the clarity of day. Each gain
means loss, the basic mathematics of
our lives. You see. It leaves. The light explains
the rules. The worlds below, the worlds above,
the worlds inside, delirious with need,
arise like dawn, mature through afternoons,
demand the rest of night where dream exceeds
the reach of thought to ply the deep mind's loom.
Like mist our dreams with their peculiar skills
burned off by day. No mystery, but still.
Succession
by Laurinda Lind
Two hours south, it is not as dry and the grass
in the median of the interstate is actually green
or something like it. It is the same in the overflow
parking lot next to the funeral home, chlorophyll
coming through and even water scattering from
the sky and across the windshield. But behind
the back walk between the lot and the building,
the Little Salmon River has turned into a mud
meander with a pond at one end where every
thing alive in there must have come to coexist
in the same way we who just parked are about
to be alive together in a room with a dead cousin.
Two hours south, it is not as dry and the grass
in the median of the interstate is actually green
or something like it. It is the same in the overflow
parking lot next to the funeral home, chlorophyll
coming through and even water scattering from
the sky and across the windshield. But behind
the back walk between the lot and the building,
the Little Salmon River has turned into a mud
meander with a pond at one end where every
thing alive in there must have come to coexist
in the same way we who just parked are about
to be alive together in a room with a dead cousin.
Sunday, September 18, 2016
Drink the Ramen
by David Lohrey
It rains every day but there is no water.
In Chitose-Funabashi, the puddles are fine and the river runs wide,
But showers are on timers.
Take the wrappers off the bottles, keep the lettuce in the larder,
The neighbors eye our bin.
This summer, lightning strikes harder but the rains lose heart.
Locals don’t taste the noodles, the flavor’s in the broth.
It rains every day but there is no water.
It rains every day but there is no water.
In Chitose-Funabashi, the puddles are fine and the river runs wide,
But showers are on timers.
Take the wrappers off the bottles, keep the lettuce in the larder,
The neighbors eye our bin.
This summer, lightning strikes harder but the rains lose heart.
Locals don’t taste the noodles, the flavor’s in the broth.
It rains every day but there is no water.
Invasive Species Part 6
by Carla Schwartz
Trim the fire bushes, before they bloom,
before they flame.
Trim the fire bushes, before they bloom,
before they flame.
Wednesday, September 14, 2016
Mourning rose
by Mercedes Webb-Pullman
Her letter said 'Your yellow rose
covered the end of the shed
and climbed up onto the roof.
The dark red scented one near the drive
ran down the fence to the street.
Best rose season in years.”
All through the drought I'd kept them alive,
rationed water carefully, caught shower waste
and turned my skin to petals.
When I left, the rain started.
It hasn't stopped yet.
Her letter said 'Your yellow rose
covered the end of the shed
and climbed up onto the roof.
The dark red scented one near the drive
ran down the fence to the street.
Best rose season in years.”
All through the drought I'd kept them alive,
rationed water carefully, caught shower waste
and turned my skin to petals.
When I left, the rain started.
It hasn't stopped yet.
Salty Wounds
by Chris Butler
Pour the rain upon me,
cook the dragon in the spoon.
Pour the brown into the shot glass,
and don’t wake me before noon.
The salty water around me
seeps into the wounds,
penetrating my nerve endings,
but don’t wake me before you.
I’m swimming
with the great whites,
I’m swinging
within the a rope tire,
I’m flipping
on a shore of carbon dioxide.
Pour it all upon me,
the world and its monsoons,
let me drown above ground
when the levees break through
walls built to fail.
Pour the rain upon me,
cook the dragon in the spoon.
Pour the brown into the shot glass,
and don’t wake me before noon.
The salty water around me
seeps into the wounds,
penetrating my nerve endings,
but don’t wake me before you.
I’m swimming
with the great whites,
I’m swinging
within the a rope tire,
I’m flipping
on a shore of carbon dioxide.
Pour it all upon me,
the world and its monsoons,
let me drown above ground
when the levees break through
walls built to fail.
Succession
by Laurinda Lind
Two hours south, it is not as dry and the grass
in the median of the interstate is actually green
or something like it. It is the same in the overflow
parking lot next to the funeral home, chlorophyll
coming through and even water scattering from
the sky and across the windshield. But behind
the back walk between the lot and the building,
the Little Salmon River has turned into a mud
meander with a pond at one end where every
thing alive in there must have come to coexist
in the same way we who just parked are about
to be alive together in a room with a dead cousin.
Two hours south, it is not as dry and the grass
in the median of the interstate is actually green
or something like it. It is the same in the overflow
parking lot next to the funeral home, chlorophyll
coming through and even water scattering from
the sky and across the windshield. But behind
the back walk between the lot and the building,
the Little Salmon River has turned into a mud
meander with a pond at one end where every
thing alive in there must have come to coexist
in the same way we who just parked are about
to be alive together in a room with a dead cousin.
Sunday, September 11, 2016
Doppler Farms
by Todd Mercer
They dance to make rain, seed clouds with silver iodide. They pray
over cracks in the field, summon up a freelance climatologist,
but saturated air won’t condense to drops to save the crops. The loan looms
like a scythe overhanging the end of October. They skirt the sharp edge of it,
kick up dust that was topsoil. Before. Water—they pack it by buckets
from the well-head to mist the crop rows. The brute labor,
his and hers, passes days quickly, but the drought holds on.
The green-screened TV rain-man lacks answers. He’s primed
to evaporate, dissolve into the atmosphere, where farmers
can’t find him. Like them he’s losing precious sweat
at the mercy of the Fates, the Guy Upstairs,
and the Southern Oscillation.
They dance to make rain, seed clouds with silver iodide. They pray
over cracks in the field, summon up a freelance climatologist,
but saturated air won’t condense to drops to save the crops. The loan looms
like a scythe overhanging the end of October. They skirt the sharp edge of it,
kick up dust that was topsoil. Before. Water—they pack it by buckets
from the well-head to mist the crop rows. The brute labor,
his and hers, passes days quickly, but the drought holds on.
The green-screened TV rain-man lacks answers. He’s primed
to evaporate, dissolve into the atmosphere, where farmers
can’t find him. Like them he’s losing precious sweat
at the mercy of the Fates, the Guy Upstairs,
and the Southern Oscillation.