by Hifsa Ashraf
beach sunrise…
over the sea
a kingfisher hovers
Wednesday, July 5, 2017
Sunday, July 2, 2017
Hulk
by Joe Cottonwood
Walk north from here
at low tide
you’ll see a truck frame tumbled
from atop the cliff
sunk in sand, washed in surf
size of a gray whale
which you’ll also see
blowing, breaching off shore
Each winter as beach recedes
sucked by storm
the Freightliner appears
haunt of Highway One
ruddy jagged blades of metal
settling lower
inch by inch, weld by weld
decade by decade
salt, oxygen at work
as gulls perch on chassis
crabs gather, starfish wander
seals care not
Walk north from here
at low tide
you’ll see a truck frame tumbled
from atop the cliff
sunk in sand, washed in surf
size of a gray whale
which you’ll also see
blowing, breaching off shore
Each winter as beach recedes
sucked by storm
the Freightliner appears
haunt of Highway One
ruddy jagged blades of metal
settling lower
inch by inch, weld by weld
decade by decade
salt, oxygen at work
as gulls perch on chassis
crabs gather, starfish wander
seals care not
Watching the Dolphins
by Marianne Szlyk
The dolphins are swimming
past the cruise ships
and fishing boats.
The harbor is slick with motor oil.
The coral beyond is bleached white,
the color of vinyl siding
and new concrete.
It crumbles as the tourists watch
the dolphins dive over and over.
The dolphins are swimming
past the cruise ships
and fishing boats.
The harbor is slick with motor oil.
The coral beyond is bleached white,
the color of vinyl siding
and new concrete.
It crumbles as the tourists watch
the dolphins dive over and over.
Saturday, July 1, 2017
The Trees of Italy: Mulberry
by Terrence Sykes
---morus nigra – sanctus dominus---
The mulberry struggles
through bricks in the
corner of the piazza
Santa Maria del Carmine
pass the Ponte Vecchio
just across the Arno
cusp of day
left then left
prophecy of
double damnation
stepping into darkness
candles & incense
Masaccio fresco
Expulsion
birth of the Renaissance
stillness in the church
laden with history
has my past followed me
Adam & Eve
pastel chiaroscuro
nakedness
sworded angel damning
driven from the Garden
not even a fig leaf
shamed & exiting Eden
priestly voices
echoing annunciations
closure foretold
escorted by robes
cast upon
cobblestone
verdant shadows
dappled light
forbidden fruit
gathered & palmed
sweeter than any apple
temptation on the lips
stigmata hands
marked like Cain
meandering lost
mist & fog upon
streets of Florence
---morus nigra – sanctus dominus---
The mulberry struggles
through bricks in the
corner of the piazza
Santa Maria del Carmine
pass the Ponte Vecchio
just across the Arno
cusp of day
left then left
prophecy of
double damnation
stepping into darkness
candles & incense
Masaccio fresco
Expulsion
birth of the Renaissance
stillness in the church
laden with history
has my past followed me
Adam & Eve
pastel chiaroscuro
nakedness
sworded angel damning
driven from the Garden
not even a fig leaf
shamed & exiting Eden
priestly voices
echoing annunciations
closure foretold
escorted by robes
cast upon
cobblestone
verdant shadows
dappled light
forbidden fruit
gathered & palmed
sweeter than any apple
temptation on the lips
stigmata hands
marked like Cain
meandering lost
mist & fog upon
streets of Florence
Wednesday, June 28, 2017
Sunday, June 25, 2017
Brown Pelican
by Andrea Wyatt
these days, stretched like desert,
sun-blinded.
abandoned earth, its gray fruit, winter.
animals leave the dead ground,
torn mountain, for the sea;
dead deer in the leaves,
fish heads on rock,
hundreds of small, dying animals
on the edge of the sea, in a glare
of light and dark and light and
dark.
your fingers too clumsy to heal,
your fingers moving too slowly
over the brown bodies, the black
bodies, the soft wings.
rainbow—
in dark oils.
we lie in the sun together,
reading about the buffalo,
these days, stretched like desert,
sun-blinded.
abandoned earth, its gray fruit, winter.
animals leave the dead ground,
torn mountain, for the sea;
dead deer in the leaves,
fish heads on rock,
hundreds of small, dying animals
on the edge of the sea, in a glare
of light and dark and light and
dark.
your fingers too clumsy to heal,
your fingers moving too slowly
over the brown bodies, the black
bodies, the soft wings.
rainbow—
in dark oils.
we lie in the sun together,
reading about the buffalo,
Beachcombing the Great Plains
by Maureen Kingston
“I love forms beyond my own and regret the borders between us” -- Loren Eiseley
She’s out pilgrimaging again, searching for a peaceful place to kneel, to take stock. The wind blows her to a familiar dent in the Sandhills, a trove of ruin hidden by tallgrass and dune. Blood-and-flesh folk lived here once, a settlement of clay houses and lean-tos. Only a stand of graves remains: larger than a family plot, smaller than a cemetery.
She steps around the fading slabs, steers to the misfit, the object of her obsession. The first time she saw it she thought it was a Christmas ham studded with cloves. She wanted to tear off a piece of crackle, let its juice run down her chin. Later, in a different mood, she imagined the blob to be the petrified remains of a dinosaur sneeze. A science pal eventually set her straight, identified the errant rock as chondrite, a spongy meteorite.
Mystery solved. And not solved. She still doesn’t know why the chunk of char brings comfort; why stroking its alien Braille calms her mind. The settlers must’ve been comforted by it, too, or why bury their dead around it?
summertime reading . . .
alone, never alone
stone rubbing
“I love forms beyond my own and regret the borders between us” -- Loren Eiseley
She’s out pilgrimaging again, searching for a peaceful place to kneel, to take stock. The wind blows her to a familiar dent in the Sandhills, a trove of ruin hidden by tallgrass and dune. Blood-and-flesh folk lived here once, a settlement of clay houses and lean-tos. Only a stand of graves remains: larger than a family plot, smaller than a cemetery.
She steps around the fading slabs, steers to the misfit, the object of her obsession. The first time she saw it she thought it was a Christmas ham studded with cloves. She wanted to tear off a piece of crackle, let its juice run down her chin. Later, in a different mood, she imagined the blob to be the petrified remains of a dinosaur sneeze. A science pal eventually set her straight, identified the errant rock as chondrite, a spongy meteorite.
Mystery solved. And not solved. She still doesn’t know why the chunk of char brings comfort; why stroking its alien Braille calms her mind. The settlers must’ve been comforted by it, too, or why bury their dead around it?
summertime reading . . .
alone, never alone
stone rubbing
Saturday, June 24, 2017
Saturn on Steroids
by Eliza Mimski
(Scientists first announced in 2012 that a disk resembling Saturn's rings was found positioned around an object 420 light-years from Earth. They believed it may have been the first alien planet with rings actually found. They referred to it as the Winged Creature.)
(Scientists first announced in 2012 that a disk resembling Saturn's rings was found positioned around an object 420 light-years from Earth. They believed it may have been the first alien planet with rings actually found. They referred to it as the Winged Creature.)
Up there with the endearing stars and the black pool of the sky
Up there with gravity and mystery and the sun and the moon
Up there beyond the sighs of earth, the chokes of earth
Past the pockets of rain and the
Clouds that are slow white syllables
Is the winged creature
Light years away, it peers down on us
Its red face brought forward
To penetrate microscopes
Pumping away with the red blood of celestial force
It defies our laboratories,
Astronomy, astrophysics
We are waking up to it
It is waking up to us
We are looking up at it
It is looking down at us
We sum it up
It sums us down
We study it
It studies us
We call it the ringed object
Saturn on steroids
It thinks of us as the trash steroid of earth and
Cradles us in its warm red hands
Covers us with the red blanket of anti gravity
We are the warm pot of pollution
The fumes of money and wealth
We study its rings
It searches for our soul
We study its size, its retrograde spinning
A possible catastrophic collision
We are lost, it declares
Our banks like gleaming objects
Our freeways like kings and queens
White boys at the white table of economy
We try to understand it
It tries to understand us
Some scientists think
It is only our heart
Our disembodied heart
Spinning out of control
Wednesday, June 21, 2017
Anonymous Papyrus Fragment, Ancient Messene, Date Unknown but Later Than You Think
by Vassilis Zambaras
Fields we had
[ ]
[ ]
[perforated]
[ now?]
[ ]
[ ]
[ ]
[shredded wheat]
Ely[sian?] with honey
[ ]
[ ]
[ ]
[ ]
Bees combing long
[ ] [flaxen?]
Hair [ ]
[ ]
[ ]
[ ]
[down?]
To your knees
[the rest wholly eaten away by moths]
Fields we had
[ ]
[ ]
[perforated]
[ now?]
[ ]
[ ]
[ ]
[shredded wheat]
Ely[sian?] with honey
[ ]
[ ]
[ ]
[ ]
Bees combing long
[ ] [flaxen?]
Hair [ ]
[ ]
[ ]
[ ]
[down?]
To your knees
[the rest wholly eaten away by moths]
Barred Owl
by John Grey
Just beyond
a late spring day,
the darkness
its pedestal
hooked head,
talons splayed,
brown dappled wings wide,
it cruises the feathery lace
of fluttering dragonflies
blown across the marsh
then over black-smoked brush,
the inky ponds,
and up onto an oak branch
where round night-eyes
scour the night for fear,
ears track screams
about to burst...
a mouse,
a vole,
a chipmunk...
somewhere in the dark,
he stares at
what he later eats.
Just beyond
a late spring day,
the darkness
its pedestal
hooked head,
talons splayed,
brown dappled wings wide,
it cruises the feathery lace
of fluttering dragonflies
blown across the marsh
then over black-smoked brush,
the inky ponds,
and up onto an oak branch
where round night-eyes
scour the night for fear,
ears track screams
about to burst...
a mouse,
a vole,
a chipmunk...
somewhere in the dark,
he stares at
what he later eats.
Sunday, June 18, 2017
Petroglyph
by Stefanie Bennett
Still life
With forked
Tongue:
The mustard-
Seed torches
Into
Flower.
Still life
With forked
Tongue:
The mustard-
Seed torches
Into
Flower.
The Hullabaloo of Fruit
Art by Nancy Ramsey
Words by KJ Hannah Greenberg
The hullabaloo of fruit, evidenced in souks, by sinks, on trees,
Glistens purple, red, gold, chartreuse, maybe supplementsEmployment when eyes evidence matters of cults’ excuses.
There exist entomophobic iconoclasts, who faint in sighting
Bugs or elsewise experience horrible fasciculation following
Molecular crowding’s acceleration of accidental conformities.
Whenever our world: truly attempts to appreciate events
(Like pregnancy losses), honors light not thew, or revels
‘cause of alembic smarts, certainty gets demoted to dust.
After all, impacting the amount and kind of efforts mice
Endeavor to expend, especially for measly sherricks of élan,
Builds up socially sustained, very awkward physiognomies.
See, each time nasty human beasts try to usurp castle doctrine,
They’re better off rejoicing in life imprisonment, otherwise,
Fleeing continents of conurbations, and paying taxes on time.
Lapland Gestalt
by Karla Linn Merrifield
Overhead rowan-golden foliage
eye-level evergreen-fir river reflection
underfoot silvering reindeer lichen
blushing leaves—bunchberry
If I cross the border
through a tumble of granite boulders,
I will become the imaginary line.
Overhead rowan-golden foliage
eye-level evergreen-fir river reflection
underfoot silvering reindeer lichen
blushing leaves—bunchberry
If I cross the border
through a tumble of granite boulders,
I will become the imaginary line.
Saturday, June 17, 2017
Strength
by Michael H. Brownstein
Hike with me through this field of prayer,
through mudflats and iron foot,
the eulogy deep and dried passion fruit,
the salt of columbine, a terrain of frenzy,
lacewing and the yellow mollies of spring,
milk and milk thistle, a porcelain of words.
Hike with me past the girth of oak,
the prayer tree of Cambodia, the field of glories
behind the back forty no one touches.
Share with me wild onion, mint,
dandelion leaves and acorn meat,
the edible leaves of the Acacia.
The storm will pass. The forest will replenish.
Rivers will not run dry. Nor will they shrink.
Hike with me five years from now. Share
my bounty anytime. The eulogy premature,
prayer alive in flower and grass, blossom
and honey bee, a porcelain of words.
Hike with me through this field of prayer,
through mudflats and iron foot,
the eulogy deep and dried passion fruit,
the salt of columbine, a terrain of frenzy,
lacewing and the yellow mollies of spring,
milk and milk thistle, a porcelain of words.
Hike with me past the girth of oak,
the prayer tree of Cambodia, the field of glories
behind the back forty no one touches.
Share with me wild onion, mint,
dandelion leaves and acorn meat,
the edible leaves of the Acacia.
The storm will pass. The forest will replenish.
Rivers will not run dry. Nor will they shrink.
Hike with me five years from now. Share
my bounty anytime. The eulogy premature,
prayer alive in flower and grass, blossom
and honey bee, a porcelain of words.
Wednesday, June 14, 2017
Climate Change
by Tricia Knoll
Hold my hand to the cold fire,
dream fire, though I wince, dance
or run to the ice creek.
Hold me to the cold fire
that feeds on flames of questions
ignored as ash and wind-blow.
Old frozen thoughts
melt, drip, seep
toward that cave fire.
Demanding attention
how they go to earth
soaking half-hearted shadows.
Pretend at your peril the cold fire
is not always burning,
crackling done and overdone.
Hold my hand to the cold fire,
dream fire, though I wince, dance
or run to the ice creek.
Hold me to the cold fire
that feeds on flames of questions
ignored as ash and wind-blow.
Old frozen thoughts
melt, drip, seep
toward that cave fire.
Demanding attention
how they go to earth
soaking half-hearted shadows.
Pretend at your peril the cold fire
is not always burning,
crackling done and overdone.
The Pearl
Sarah Henry
Sand seeps through
the tight lips of an oyster
in an unguarded moment.
The world of the oyster
becomes the world
in a grain of sand.
Sometimes the world
is gray and misshapen.
Sometimes it’s the earring
landing in your soup.
Sand seeps through
the tight lips of an oyster
in an unguarded moment.
The world of the oyster
becomes the world
in a grain of sand.
Sometimes the world
is gray and misshapen.
Sometimes it’s the earring
landing in your soup.
Real Places
by M.J. Iuppa
Driving country roads
in rain that re-aligns itself with every
turn, I find myself completely lost
in fog’s lifting veil.
I talk myself into taking
another direction until I happen upon
the outskirts of town— ramble-shack huts,
salvaged cars & parts, day old bread outlets
& a single blinking red light . . .
I pause long enough
to see what’s ahead of me is nothing
more than an one-way street.
Driving country roads
in rain that re-aligns itself with every
turn, I find myself completely lost
in fog’s lifting veil.
I talk myself into taking
another direction until I happen upon
the outskirts of town— ramble-shack huts,
salvaged cars & parts, day old bread outlets
& a single blinking red light . . .
I pause long enough
to see what’s ahead of me is nothing
more than an one-way street.
Sunday, June 11, 2017
Black Wash
by Miriam Sagan
maybe the watercolor
has smeared
because it is raining outside
and the river
is rising
by the abandoned
hydroelectric dam
which now is just
picturesque
in the cement hut
a table is still set with teacups,
and the window has been perfectly filled
with volcanic stones
black lines on paper
imitate the serpentine
curve of water,
or some part of the body
we prefer to hold on to
the pregnant woman
has set a bit of sheep's vertebra
on a pile of dirt
and hung the whole thing on the wall
with an imaginary painting
of snow and darkness
in the rain, the sheep
take shelter
in old shacks and machinery
when you speak Icelandic
to the ram
his ears perk back and his eyes shine.
maybe the watercolor
has smeared
because it is raining outside
and the river
is rising
by the abandoned
hydroelectric dam
which now is just
picturesque
in the cement hut
a table is still set with teacups,
and the window has been perfectly filled
with volcanic stones
black lines on paper
imitate the serpentine
curve of water,
or some part of the body
we prefer to hold on to
the pregnant woman
has set a bit of sheep's vertebra
on a pile of dirt
and hung the whole thing on the wall
with an imaginary painting
of snow and darkness
in the rain, the sheep
take shelter
in old shacks and machinery
when you speak Icelandic
to the ram
his ears perk back and his eyes shine.
Weasel
by Taylor Graham
A shadow moves over earth below your
notice, on your perch of logs as you purse
your lips in squeaks of animal distress,
to call the birds, add them to your master-
list. You’re not looking for weasel, you’ve
set your eye for birds – your wingless
dreams of sky. At night, weasel finds those
birds asleep, and makes her den of bones
and feathers. She’s undertow of daylight
into dark, its living killing stream. And you –
awkward in boots, vest, birdlist. Check
your watch, your schedule. It’s time to go.
A shadow moves over earth below your
notice, on your perch of logs as you purse
your lips in squeaks of animal distress,
to call the birds, add them to your master-
list. You’re not looking for weasel, you’ve
set your eye for birds – your wingless
dreams of sky. At night, weasel finds those
birds asleep, and makes her den of bones
and feathers. She’s undertow of daylight
into dark, its living killing stream. And you –
awkward in boots, vest, birdlist. Check
your watch, your schedule. It’s time to go.
Saturday, June 10, 2017
Wednesday, June 7, 2017
Night Sky
by Tom Montag
In this moment,
wind and emptiness.
In the next, moon's
light and nothing.
All things in balance.
Love, and loss,
this desire to be
what the stars are.
In this moment,
wind and emptiness.
In the next, moon's
light and nothing.
All things in balance.
Love, and loss,
this desire to be
what the stars are.
Underneath Us
by Taylor Graham
Our fractured kingdom – Melones fault zone,
volcanic rock of the Mesozoic, late Jurassic
granite, slate, serpentine, and gold-bearing
quartz. We humans are involved in all this
disruption – digging into bedrock along Main
Street for yellow treasure. Just look in darker
corners of coffee shop and book store: adits
and shafts. Sinkholes open unexpectedly
around town and country. Old rock walls try
to hold up hillsides with an interweave
of periwinkle, ivy, native nameless weeds.
We live in proximity to so many not-yet
interpreted forces at work over so long,
an ancient, unseen river underneath us all.
Our fractured kingdom – Melones fault zone,
volcanic rock of the Mesozoic, late Jurassic
granite, slate, serpentine, and gold-bearing
quartz. We humans are involved in all this
disruption – digging into bedrock along Main
Street for yellow treasure. Just look in darker
corners of coffee shop and book store: adits
and shafts. Sinkholes open unexpectedly
around town and country. Old rock walls try
to hold up hillsides with an interweave
of periwinkle, ivy, native nameless weeds.
We live in proximity to so many not-yet
interpreted forces at work over so long,
an ancient, unseen river underneath us all.
Sunday, June 4, 2017
Salute to a New Day's Dawn
by Tom Sheehan
Out of the edge of earth, out of choice darkness mixed with silt and angry acids that form of fire, out of secret caverns rocking in the deep, out of stone moving liquefied which is but a sea we float on, out of distance, out of death-wracking night, out of fear of child-hood, out of nightmares and terror shrieks, out of our ignorance, out of shame of thoughts sitting like pebbles on the soul, dark black pebbles, out of the songs of frenzied air, out of the mouths of monster birds cast from an angry god's hands, freed from moon at endless wait, escaping debtor's prison partly in rags and partly in pain, heaved upwards like a mason's block to the next tier of gray waiting, on the hilltop comes the sun at its widest broadcast.
Before it, pell-mell fleeing, scudding down alleyways, across corners, stoops, half granite walls where houses used to be, through windows and mirrors and the wiliest of laces where night collects itself in a host of aromas, the shadows go quickly before seven miracles hunting them down, at chase, at wild pursuit, leaping one wall to the next, one huge lunge across barriers, time, as if breath will expire too quickly again, the tightest lungs thrown into athletic surprises.
At Earth edge worms shudder, recoil, go gelatin. Earth shakes with a robin's sprint across a tympanic lawn, as if drummers' batons beat on. He spears the tubed, eyeless thing, soft telescopic escapee just now plowing into loam. The warning signs are warm where wonder makes its way across all the universe.
In the morning mountains, a sundae piled high with sweet textures, explode. I catch the mouthy shrapnel they throw into the battle dawn wages. It is one rare beauty on the fly, beams and sunshine flares and streams and colossal stripes of golden air coming through clouds hanging loose as line-hung blankets. Far out mountains are the first to get this sun, heaving upward whiter cones of snow as brilliant as stars, as sure and as steady as old men who know all the answers and give off such illumination in the phantom measure some gods themselves allow.
But you there, at the crossroads of this day, looking across the inviolate stretch of gray light we suddenly find between us yet joining us, must also find ignition as spectacle born in the rigors of yesterday's soul. You, too, know the upshot of this new coming, the bird, the fire, the breath deeper than stone. You, also, must linger where the sun warms first, the first warm spot of the day, the bay window broad as an ax sweep, a piece of porch tilted under a pine, a front door stoop as white as first thoughts, a path between corrupt oaks and sleek birches, a blanket where your hand falls to rest, odd place in your eyes sudden starts have earned when you think all about your being is still dark and the nightmare is the bark of wild dogs crawling down the banners of your mind, spiders of light on the move.
When it all goes down, when the bet is paid off and all markers set straight, our sun comes with singular entry, warm shot, two fingers of life into the glass, just as every alley and each dark space we know wait out the mercies found in light.
Friday, June 2, 2017
The Environment
by Randall Rogers
I guess is
stronger than
we think,
and more
delicate, too.
But when it
enters into
the determination
of the
cash nexus
and a cost
benefit analysis
the hope
of creatures
in time
and eternity
become
“disorderly
affections”.
I guess is
stronger than
we think,
and more
delicate, too.
But when it
enters into
the determination
of the
cash nexus
and a cost
benefit analysis
the hope
of creatures
in time
and eternity
become
“disorderly
affections”.
Tuesday, February 7, 2017
Sunday, December 18, 2016
Expressionism
by Sneha Subramanian Kanta
how you eat the fallen figs
your body full of soil scents –
arm clutched to my side,
bare bodies of autumn’s pride.
your fingers, opening a map –
nail pointing eastward
moving subtly, then all at once
over the body of the large Pacific.
how your mouth, partly open
devours my mouth, in exploration –
then, like ancient forest-dwellers
sing ourselves to sleep, meditating.
how chants, escape your tongue,
lick my senses into molten clay –
how, in a world of immigrants,
we find – a land unknown, to stay.
how you eat the fallen figs
your body full of soil scents –
arm clutched to my side,
bare bodies of autumn’s pride.
your fingers, opening a map –
nail pointing eastward
moving subtly, then all at once
over the body of the large Pacific.
how your mouth, partly open
devours my mouth, in exploration –
then, like ancient forest-dwellers
sing ourselves to sleep, meditating.
how chants, escape your tongue,
lick my senses into molten clay –
how, in a world of immigrants,
we find – a land unknown, to stay.
Repeater
by Denny E. Marshall
Dust bowl of the 30’s
After hundred years
Of raping Nebraska aquifer
Dust bowl of the 30’s
Dust bowl of the 30’s
After hundred years
Of raping Nebraska aquifer
Dust bowl of the 30’s
Nightly Eye Shine
by Suzanne Cottrell
Night
cold grass
green eye shine,
Carolina Wolf Spiders
hunting crickets.
Night
cold grass
green eye shine,
Carolina Wolf Spiders
hunting crickets.
a small end
(for Martha Landman)
by James Bell
see the red click beetle
crawl over a log choose
that one for the wood stove
instead of others on the stack
sit to feel some heat
with a modicum of guilt
about what made you make
that choice listen for a pop
some kind of cry
only the regular click
of the stove as it warms
the log bursts into flames
see the red click beetle
crawl over a log choose
that one for the wood stove
instead of others on the stack
sit to feel some heat
with a modicum of guilt
about what made you make
that choice listen for a pop
some kind of cry
only the regular click
of the stove as it warms
the log bursts into flames
Wednesday, December 14, 2016
Feeding
by Subhra Bhattacharya
The school of fish
feed on the dead baby octopus
one leg at a time
in bites and chunks
till all that is left
is a gelatinous blob
shaking in the water.
You didn't get there on time
to grill it
serve it on a platter.
The school of fish
feed on the dead baby octopus
one leg at a time
in bites and chunks
till all that is left
is a gelatinous blob
shaking in the water.
You didn't get there on time
to grill it
serve it on a platter.
Sunday, December 11, 2016
Listening to a Crow Lecture
by Don Thompson
Clinging to the old oak
as if tenured, a crow
has been holding a seminar.
Three or four students listen,
compelled, powerless to resist
nihilism: Nothing is good,
according to that harsh caw,
not at all hard to translate
into human sentiments.
I’d take notes myself,
but keep being distracted by
how eager the leaves seem,
motionless in dead air, to dance
as soon as the breeze comes up.
And it will.
Clinging to the old oak
as if tenured, a crow
has been holding a seminar.
Three or four students listen,
compelled, powerless to resist
nihilism: Nothing is good,
according to that harsh caw,
not at all hard to translate
into human sentiments.
I’d take notes myself,
but keep being distracted by
how eager the leaves seem,
motionless in dead air, to dance
as soon as the breeze comes up.
And it will.
Sunday, December 4, 2016
Wednesday, November 30, 2016
Droughtland Smoothie
by Elizabeth Kuelbs
Beat sun up. Blend 2 cups fresh
ash, 1 billow smoke, 1/4 manzanita
bone, 1 heat-scarred flight feather, hawk
or owl, 2 tablespoons doomy noon
twilight, 1 chlorinated
bee, ice.
Drink.
Hairline to navel (ignore sunburn tenderness) unzip skin.
Wait
for lush tumble
of mist, of river, of willow, wait
for singing oak canopy, for poppy, for mallow, for
coyote mint. Wait in the dark
for rain.
Beat sun up. Blend 2 cups fresh
ash, 1 billow smoke, 1/4 manzanita
bone, 1 heat-scarred flight feather, hawk
or owl, 2 tablespoons doomy noon
twilight, 1 chlorinated
bee, ice.
Drink.
Hairline to navel (ignore sunburn tenderness) unzip skin.
Wait
for lush tumble
of mist, of river, of willow, wait
for singing oak canopy, for poppy, for mallow, for
coyote mint. Wait in the dark
for rain.
Sunday, November 27, 2016
The Old Gods
by Ed Hack
The old gods of the fields, of wheat and corn,
of rye, of vegetables, are dying back
into the earth. The autumn's silver horn
of knife-edge light rings out the time of lack,
of ice as pitiless as life can be,
of frozen ground entombing old spent earth
that sleeps exhausted as the naked trees
that wait, like ice-bound earth, for their spring birth.
The shriveled tassels of the corn are brown
and limp, tied to the bridge to celebrate
the harvesting of Time. The river sounds
like all that crashes to its end to sate
the hungers of its life. A rush. A roar.
And then an evening as it spreads out
and leaves the falls behind. Now less is more
as water calms, a mind without a doubt.
The old gods do not say a thing. They wait.
They know that Time's another word for Fate.
The old gods of the fields, of wheat and corn,
of rye, of vegetables, are dying back
into the earth. The autumn's silver horn
of knife-edge light rings out the time of lack,
of ice as pitiless as life can be,
of frozen ground entombing old spent earth
that sleeps exhausted as the naked trees
that wait, like ice-bound earth, for their spring birth.
The shriveled tassels of the corn are brown
and limp, tied to the bridge to celebrate
the harvesting of Time. The river sounds
like all that crashes to its end to sate
the hungers of its life. A rush. A roar.
And then an evening as it spreads out
and leaves the falls behind. Now less is more
as water calms, a mind without a doubt.
The old gods do not say a thing. They wait.
They know that Time's another word for Fate.
Wednesday, November 23, 2016
Spare a thought for the red click beetle
(for James Bell)
by Martha Landman
by nightfall there is stillness in the forest
of beetle-larva-beetle-larva
extend their lifecycle in a relay
lying limp in the dirt
groove along sunbeams
high-jump off their backs
their way through a rotten log
blood-red beetles click-click
winter at its edge
the pine trees are down
by nightfall there is stillness in the forest
of beetle-larva-beetle-larva
extend their lifecycle in a relay
lying limp in the dirt
groove along sunbeams
high-jump off their backs
their way through a rotten log
blood-red beetles click-click
winter at its edge
the pine trees are down
Sunday, November 20, 2016
Fall
by Ed Hack
Late in the day the falls look like alum-
inum, sun blazing out a sheen like shields
upon an ancient field where men are numb
with bloody death, yet all refuse to yield.
Odd thought this autumn day with summer heat
as couples chat outside a coffee bar
at tables right across the way and treat
themselves to ease. The river travels far
to plunge with its low roar and glow
like metal tempered by the sun. Old folk
who're bent with Time amid the leaves that blow
and tumble in the silver light like hope
deferred as yellow shines from inside out.
This world is falling down--just look about.
Late in the day the falls look like alum-
inum, sun blazing out a sheen like shields
upon an ancient field where men are numb
with bloody death, yet all refuse to yield.
Odd thought this autumn day with summer heat
as couples chat outside a coffee bar
at tables right across the way and treat
themselves to ease. The river travels far
to plunge with its low roar and glow
like metal tempered by the sun. Old folk
who're bent with Time amid the leaves that blow
and tumble in the silver light like hope
deferred as yellow shines from inside out.
This world is falling down--just look about.
Aleppo
by Laughing Waters
temperature
suddenly drops
red camelia's flowers
covering ground
fresh snow
temperature
suddenly drops
red camelia's flowers
covering ground
fresh snow
Wednesday, November 16, 2016
Reflections
by Ginny Short
Uncertainty riding west
The sky clear
The ridge the south side of lightning
Find and gather self before noon
Red earth rocks branding the intersection
Of sun, sky and earth Time moves slowly
Forgotten
Long wet trails up Wolf Creek Canyon
An eternity Urging the distance
Uncertainty riding west
The sky clear
The ridge the south side of lightning
Find and gather self before noon
Red earth rocks branding the intersection
Of sun, sky and earth Time moves slowly
Forgotten
Long wet trails up Wolf Creek Canyon
An eternity Urging the distance
Sunday, November 13, 2016
Mask of Rain
by Tim Staley
There is a mask of rain
over the canyon
and over the sun.
Scarlet light
sprays from the eyes
and teeth.
The liquid tongue
laps up the canyon
and the sun.
There is a mask of rain
over the canyon
and over the sun.
Scarlet light
sprays from the eyes
and teeth.
The liquid tongue
laps up the canyon
and the sun.
Sunday, November 6, 2016
Arrival & Ascent of Autumn Immigrants
by Terrence Sykes
I am an immigrant
I am not from here
I don't own this piece of land
This small piece of Quartz
Grasped from the sandy soil
Taken in my hand
From beneath this canopy of
These PawPaw trees
These were not here
When I discovered & claimed
This as my own solitude
This enclaved fifty acres or more
Have kept my sanity from urban chaos
Who or What brought the first seed for
This clonal gathering must be content
A late frost prevented progenies
That pungent aroma of fallen ripened
Fruit upon the forest floor
Those silent shiso plants
Seeding again to scatter ascendants
Remind me of the Korean women who
Were at odds with me when gathering
Wild greens that grew
Upon the banks of this creek
Bitter greens of their own where rooted
Flourished in the swamp
Waxed then waned
Like a lunar eclipse
Their departure
Before the arrival of this shiso
Reluctantly then revealing
Established itself amongst
Others unlike themselves
These touch-me-nots
They too were not here when I came
Gems of orange fleck with gold
Emigrate me home
Remembrance of my hometown
Memories of my grandmother
I always think of her
A rose herself
Her garden of
Irises
Hydrangeas
Amongst flora & fauna
Here I have seen women
From all over the world
From where and when
In their native garments
Colorful & brilliant
As autumnal flowers
Today I walk alone
Along these paths
Who will scatter the next seed
I am not from here
I am an immigrant
I am an immigrant
I am not from here
I don't own this piece of land
This small piece of Quartz
Grasped from the sandy soil
Taken in my hand
From beneath this canopy of
These PawPaw trees
These were not here
When I discovered & claimed
This as my own solitude
This enclaved fifty acres or more
Have kept my sanity from urban chaos
Who or What brought the first seed for
This clonal gathering must be content
A late frost prevented progenies
That pungent aroma of fallen ripened
Fruit upon the forest floor
Those silent shiso plants
Seeding again to scatter ascendants
Remind me of the Korean women who
Were at odds with me when gathering
Wild greens that grew
Upon the banks of this creek
Bitter greens of their own where rooted
Flourished in the swamp
Waxed then waned
Like a lunar eclipse
Their departure
Before the arrival of this shiso
Reluctantly then revealing
Established itself amongst
Others unlike themselves
These touch-me-nots
They too were not here when I came
Gems of orange fleck with gold
Emigrate me home
Remembrance of my hometown
Memories of my grandmother
I always think of her
A rose herself
Her garden of
Irises
Hydrangeas
Amongst flora & fauna
Here I have seen women
From all over the world
From where and when
In their native garments
Colorful & brilliant
As autumnal flowers
Today I walk alone
Along these paths
Who will scatter the next seed
I am not from here
I am an immigrant
Wednesday, November 2, 2016
November in Rattlesnake Valley
by Jesse Bier
Cold fog is thick but mobile, streaming long coils
in draws, raveling gulches, strangling clumps
of young dim fir trees: moils
the air, heaves and slumps
over unseen ground, boils
spooky comfort, wallows ravines, clamps
bare corn fields, thins to mist, congeals,
smothering home and hill, with no reason spares a camp.
Where it goes is hap and hazard. Hit or miss,
this is no longer fall but winter’s start,
the drear of it, and almost the hiss
where it moves of slithercloud, gripping hearth and heart,
only easing, letting swiftly and helplessly go,
under the instant scatter magic—of first snow.
Cold fog is thick but mobile, streaming long coils
in draws, raveling gulches, strangling clumps
of young dim fir trees: moils
the air, heaves and slumps
over unseen ground, boils
spooky comfort, wallows ravines, clamps
bare corn fields, thins to mist, congeals,
smothering home and hill, with no reason spares a camp.
Where it goes is hap and hazard. Hit or miss,
this is no longer fall but winter’s start,
the drear of it, and almost the hiss
where it moves of slithercloud, gripping hearth and heart,
only easing, letting swiftly and helplessly go,
under the instant scatter magic—of first snow.

