by Joe Cottonwood
Take off your shoes, walk with me.
We’ll squish our toes. Miles it goes,
the busy beach brimming with tiny crabs
until we reach — here, this outcrop:
from salty pools you can pluck
dead souls reborn as rock, washed by tides
just as they bathed so long ago
smacking their clammy lips,
wafting a seaside scent
not unlike spilled beer.
We humans still seek contentment.
Here it has lain millions of years.
This fossil, bivalve,
from time before meadowlarks,
before Neanderthal, before waltz
in the shape of a harp roughhewn,
plays a melody murky, out of tune.
Wizened she is.
Surface ribs roll. Feel the deep chuckle.
How dense in your fingers,
how nicely she fits against your palm.
From the sand she shakes your hand!
Greetings from the Paleozoic tavern,
surfin’ oldies on the jukebox.
Some day, may you and I
jolly in our bones
return as stones.
Wednesday, November 28, 2018
Sunday, November 25, 2018
How Autumn Begins
by Don Thompson
Nothing close to a chill this morning,
but cool enough to remember
how the cold felt and to know
that it’s coming soon.
Leaves yellow on the edges,
dying from outside in;
green fruit that never got started,
and one last fig that must be ripe:
Soft, but the skin’s leathery.
It plucks easily, though,
and tastes as sweet as anything
summer had to offer.
Nothing close to a chill this morning,
but cool enough to remember
how the cold felt and to know
that it’s coming soon.
Leaves yellow on the edges,
dying from outside in;
green fruit that never got started,
and one last fig that must be ripe:
Soft, but the skin’s leathery.
It plucks easily, though,
and tastes as sweet as anything
summer had to offer.
Autumn Pastoral
Mary Anna Kruch
At the foothills of the Rockies, the road shadows the river.
Rock ledges of red and burnt sienna
form terraced altars for juniper and spruce;
harebell and wild flax bloom at their feet.
Past the ledges, the sky is overcast but visible,
even at 8500 feet. There, Quaking Aspen,
connected by one root system, spread their wings above ground,
finding patches between rocks to flourish.
A sharp turn marks a grove of cottonwood
clustered together, leaves fluttering, sharing secrets.
Trail Ridge Road climbs higher into the mist;
one expects saints to appear, point the way.
A sign for Fall River Road comes into view.
Ponderosa Pines fade into thick clouds;
headlights shoot through the fog.
Tail lights vanish ten feet ahead,
and the road snakes toward Chasm Falls.
Partly-obscured guard rails bend and kneel, lean
toward free-fall disaster, barely three feet to the left.
Poplars gone red emerge, flow, then meld into a baptism
of tangerine alder, juneberry, and spruce.
A dip in the road brings clarity to the clouds,
a veil lifts, log cabins appear, and plains open up to a herd of elk.
Aspens crown the golden pastoral scene.
At the foothills of the Rockies, the road shadows the river.
Rock ledges of red and burnt sienna
form terraced altars for juniper and spruce;
harebell and wild flax bloom at their feet.
Past the ledges, the sky is overcast but visible,
even at 8500 feet. There, Quaking Aspen,
connected by one root system, spread their wings above ground,
finding patches between rocks to flourish.
A sharp turn marks a grove of cottonwood
clustered together, leaves fluttering, sharing secrets.
Trail Ridge Road climbs higher into the mist;
one expects saints to appear, point the way.
A sign for Fall River Road comes into view.
Ponderosa Pines fade into thick clouds;
headlights shoot through the fog.
Tail lights vanish ten feet ahead,
and the road snakes toward Chasm Falls.
Partly-obscured guard rails bend and kneel, lean
toward free-fall disaster, barely three feet to the left.
Poplars gone red emerge, flow, then meld into a baptism
of tangerine alder, juneberry, and spruce.
A dip in the road brings clarity to the clouds,
a veil lifts, log cabins appear, and plains open up to a herd of elk.
Aspens crown the golden pastoral scene.
Saturday, November 24, 2018
Wednesday, November 21, 2018
Sunday, November 18, 2018
At the Edge of Sight
~ Old Quebec City
by M.J. Iuppa
Where sky meets water, blue
mountains rise— moving
across the horizon in shifting
clouds that curve into fortress
walls— mortar made to keep
this old French city contained
in its glass globe.
A ray of light catches fire
on the cathedral’s steeple.
A gray pigeon flies under eaves.
A man stomps his boots before
opening the heavy door
to morning prayers. . . .
And, your cupped hands
shake—unable to control this
universe—it snows, and snows,
and snows.
Where sky meets water, blue
mountains rise— moving
across the horizon in shifting
clouds that curve into fortress
walls— mortar made to keep
this old French city contained
in its glass globe.
A ray of light catches fire
on the cathedral’s steeple.
A gray pigeon flies under eaves.
A man stomps his boots before
opening the heavy door
to morning prayers. . . .
And, your cupped hands
shake—unable to control this
universe—it snows, and snows,
and snows.
Wilder Ranch
by Jeff Burt
Struck by sunlight
the west wall of the cliff
like two cymbals
crashes unexpectedly,
stone ignites,
nests of shorebirds
open from darkness,
swallows cavort
squeaking celebrations,
pairs of blue dragonflies
hunt like closing scissors,
and yes, yes, the sun, the sun,
the clanging and banging,
and the whole cliff waking to vibration
Struck by sunlight
the west wall of the cliff
like two cymbals
crashes unexpectedly,
stone ignites,
nests of shorebirds
open from darkness,
swallows cavort
squeaking celebrations,
pairs of blue dragonflies
hunt like closing scissors,
and yes, yes, the sun, the sun,
the clanging and banging,
and the whole cliff waking to vibration
Wednesday, November 14, 2018
Prairies
by Philip C. Kolin
A prairie is flat,
honest
free and open
not hampered
by planting rituals
or fenced in
like a garden's roses.
A prairie celebrates the wind
frolicking with wild rye and clover;
its butterfly flowers follow the sun
and its buffalo grass roams at will;
prairie bluestem everywhere
mirrors the cloudless sky.
Imperious sparrows and larks
cannot control
what a prairie harvests
or seed it with weeds.
A prairie grows
from the inside
out. No prickly pines
or glossy holly can root here.
A prairie courts posies
with black eyes
and blue bonnets.
A prairie sings:
Let all the world be lupine.
A prairie is flat,
honest
free and open
not hampered
by planting rituals
or fenced in
like a garden's roses.
A prairie celebrates the wind
frolicking with wild rye and clover;
its butterfly flowers follow the sun
and its buffalo grass roams at will;
prairie bluestem everywhere
mirrors the cloudless sky.
Imperious sparrows and larks
cannot control
what a prairie harvests
or seed it with weeds.
A prairie grows
from the inside
out. No prickly pines
or glossy holly can root here.
A prairie courts posies
with black eyes
and blue bonnets.
A prairie sings:
Let all the world be lupine.
Sunday, November 11, 2018
Untitled
by Aneliya Avtandilova
All wrinkled and creased,
Exposing the imprints
Of someone's gargantuan limbs -
The bed of Cascadia.
All wrinkled and creased,
Exposing the imprints
Of someone's gargantuan limbs -
The bed of Cascadia.
Wednesday, November 7, 2018
Safari
by Julianne Basile
To discover how one
Can fit a safari
In an amusement park,
Board the truck.
The spirits left
A tweed elephant
On her seat
When she got up.
It was bejeweled and the color of dusk.
What is one thing she learned about the safari?
It's smaller than Africa.
To discover how one
Can fit a safari
In an amusement park,
Board the truck.
The spirits left
A tweed elephant
On her seat
When she got up.
It was bejeweled and the color of dusk.
What is one thing she learned about the safari?
It's smaller than Africa.
Sunday, November 4, 2018
Egret
by Paul Waring
Embedded in silence—
a statue, study in patience
you stand, lost to time
watch and wait
s-neck still life
wings locked down
in wild Lanzarotean wind
for what seems hours
you paint brilliant white form
pure as truth
against black volcanic rock
forensic eye
sharpened telescopic stare
down yellow beak
poised to pounce beneath
ice-blue Atlantic sheet
killer spear inclined
to missile prey
with minimum fuss
and rise back to life
in rapid flap
of broadsheet sails.
Embedded in silence—
a statue, study in patience
you stand, lost to time
watch and wait
s-neck still life
wings locked down
in wild Lanzarotean wind
for what seems hours
you paint brilliant white form
pure as truth
against black volcanic rock
forensic eye
sharpened telescopic stare
down yellow beak
poised to pounce beneath
ice-blue Atlantic sheet
killer spear inclined
to missile prey
with minimum fuss
and rise back to life
in rapid flap
of broadsheet sails.
Wednesday, October 31, 2018
Sunday, October 28, 2018
Couplets
by Pepper Trail
Start with water or stone? Stone.
No, water. No, stone – stone.
So, a volcano – a lava flow?
Yes, then water. Because otherwise – the moon.
Infiltrating every fault, eroding. Yes,
freezing, thawing, cracking. Habitat!
Now, lichens. Eventually, a little soil.
Moss, succulents. Flowers!
So, bees. Lizards, mice finding shelter.
Then, snakes, owls. Someday, forest.
It’s good, every kind of thing.
Every kind of thing – it’s good.
Start with water or stone? Stone.
No, water. No, stone – stone.
So, a volcano – a lava flow?
Yes, then water. Because otherwise – the moon.
Infiltrating every fault, eroding. Yes,
freezing, thawing, cracking. Habitat!
Now, lichens. Eventually, a little soil.
Moss, succulents. Flowers!
So, bees. Lizards, mice finding shelter.
Then, snakes, owls. Someday, forest.
It’s good, every kind of thing.
Every kind of thing – it’s good.
Landlocked
by Teuta Skenderi
It smells like my land,
like the soft soil in my mother’s garden
like a fistful of cold earth resting on my father’s chest.
It smells like seeds sprouting
and roses dripping dewdrops at dawn.
It smells like a hand-woven blanket
covering a stranger at night.
It smells like an untrodden forest and home-made wine,
like a coin rusting inside a wishing well.
It smells like wide open windows and doors,
a quince drying on the window sill waiting to be gifted.
It smells like a toothless kiss on a child’s forehead on his way to school.
It smells like a migrating bird’s feather free-falling.
It smells like my homeland in early autumn.
It smells like my land,
like the soft soil in my mother’s garden
like a fistful of cold earth resting on my father’s chest.
It smells like seeds sprouting
and roses dripping dewdrops at dawn.
It smells like a hand-woven blanket
covering a stranger at night.
It smells like an untrodden forest and home-made wine,
like a coin rusting inside a wishing well.
It smells like wide open windows and doors,
a quince drying on the window sill waiting to be gifted.
It smells like a toothless kiss on a child’s forehead on his way to school.
It smells like a migrating bird’s feather free-falling.
It smells like my homeland in early autumn.
Wednesday, October 24, 2018
Sacred
by Khalilah Okeke
The paperbark tree swoons
into the scribbly gum.
They are lovers dancing in
morning’s still music.
Branches entwine—
arms reaching for lifetimes.
Rosellas flame
through a peacock feather sky-
swift sweeps of sunrise.
The paperbark tree swoons
into the scribbly gum.
They are lovers dancing in
morning’s still music.
Branches entwine—
arms reaching for lifetimes.
Rosellas flame
through a peacock feather sky-
swift sweeps of sunrise.
Sunday, October 21, 2018
Snowy Owl New Jersey
by Elizabeth Fletcher
Silent arctic nomad
Snow feathered
Blizzard white
Gliding south on the Atlantic flyway
Drifting to the coastal dunes
Commands an osprey’s stick nest
far from sliver foxes on the tundra
Impervious to the click and whir
of the dumbstruck
Thunderbird of ancient petroglyphs
scans
New Jersey’s tidal marsh
Buffle heads and mallards paddle
wing beats away
At twilight, the owl
ghosts
the marsh stills
Across the channel
Atlantic City’s glass towers rise
prism-cut
Silent arctic nomad
Snow feathered
Blizzard white
Gliding south on the Atlantic flyway
Drifting to the coastal dunes
Commands an osprey’s stick nest
far from sliver foxes on the tundra
Impervious to the click and whir
of the dumbstruck
Thunderbird of ancient petroglyphs
scans
New Jersey’s tidal marsh
Buffle heads and mallards paddle
wing beats away
At twilight, the owl
ghosts
the marsh stills
Across the channel
Atlantic City’s glass towers rise
prism-cut
The Pelican Bone
by Pepper Trail
is full of light.
The bird, of earth, feeling aloft
with fingertips knit of cottonstuff
and sinew
rises, heavy as a child
out of reach always, then
grown, gone
leaving a memory of silence.
is full of light.
The bird, of earth, feeling aloft
with fingertips knit of cottonstuff
and sinew
rises, heavy as a child
out of reach always, then
grown, gone
leaving a memory of silence.
Evening
by Michael H. Brownstein
twilight over the Missouri
the shadow of ghost trees
paper birched and shedding:
a black current near the mud
and shells of clam and oyster
silver-sprinkle deep infested earth:
the coyote comes, the otter,
a few beavers, a family of possum
a then a bobcat thirsty-strong:
night begins to shade everything with new
songs reaching into the growing
dark, the bobcat splashes water on its face
twilight thick with trees, crickets, a forest
twilight over the Missouri
the shadow of ghost trees
paper birched and shedding:
a black current near the mud
and shells of clam and oyster
silver-sprinkle deep infested earth:
the coyote comes, the otter,
a few beavers, a family of possum
a then a bobcat thirsty-strong:
night begins to shade everything with new
songs reaching into the growing
dark, the bobcat splashes water on its face
twilight thick with trees, crickets, a forest
Wednesday, October 17, 2018
Grackles
by Linda Gamble
a multitude dots bare branches
their grating calls
like a thousand rusty hinges
black banner unfurls
takes flight
crosses the street
descends shrouds
the ground two houses down
with a great beating of wings
they rise
dip turn land
once
and twice again
in synchronized formation
with military precision
they manuever down the road
blue jay jeers from high above
a multitude dots bare branches
their grating calls
like a thousand rusty hinges
black banner unfurls
takes flight
crosses the street
descends shrouds
the ground two houses down
with a great beating of wings
they rise
dip turn land
once
and twice again
in synchronized formation
with military precision
they manuever down the road
blue jay jeers from high above
Sunday, October 14, 2018
Choreographed Buzzards
by Wesley D. Sims
Aerial acrobatic show—
wake of turkey buzzards surf
the blue ocean of wind,
black bodies glistening, their silver
wing tips splashed by sunshine.
Like practiced dancers transitioning
through routines, they cycle up the cove,
shifting, changing patterns, congregated
first in a circle, followed by momentary
square, then a trapezoid, now a Dipper
constellation, followed by a dotted spline
that torques and bends into a question
mark, as if to ask—what is this?
Training run for young buzzards?
Some vulture-peculiar ritual
practiced in mating season?
A random drifting, sniffing,
sailing excursion over the lake?
Maybe it’s just a Sunday afternoon
surfing flight, admiring the sites
and gawking at humans.
Aerial acrobatic show—
wake of turkey buzzards surf
the blue ocean of wind,
black bodies glistening, their silver
wing tips splashed by sunshine.
Like practiced dancers transitioning
through routines, they cycle up the cove,
shifting, changing patterns, congregated
first in a circle, followed by momentary
square, then a trapezoid, now a Dipper
constellation, followed by a dotted spline
that torques and bends into a question
mark, as if to ask—what is this?
Training run for young buzzards?
Some vulture-peculiar ritual
practiced in mating season?
A random drifting, sniffing,
sailing excursion over the lake?
Maybe it’s just a Sunday afternoon
surfing flight, admiring the sites
and gawking at humans.
Dragonfly Days
David Chorlton
There’s a thin skin of air
lying over the pond
where dragonflies float
in September.
A Common Green Darner,
light as a wish,
with one wing for minutes
and one for the hours,
marks time as it crosses the water.
Summer goes slowly
down to the carp;
a year drifts away
to the mountain. The heat’s lost
its edge, shadows
have teeth, while
two hawks in place
for the cool time of year
are quotation marks
for a silence as wide
as the sky,
and a vulture
hangs on a thread
down from the lingering sun.
There’s a thin skin of air
lying over the pond
where dragonflies float
in September.
A Common Green Darner,
light as a wish,
with one wing for minutes
and one for the hours,
marks time as it crosses the water.
Summer goes slowly
down to the carp;
a year drifts away
to the mountain. The heat’s lost
its edge, shadows
have teeth, while
two hawks in place
for the cool time of year
are quotation marks
for a silence as wide
as the sky,
and a vulture
hangs on a thread
down from the lingering sun.
Blackberries and Thistle
by Lorraine Carey
Random splodges of blackberries
stain the village and it's winding
pavements. The splatters
from starlings scatter wide -
the fuzzy circles, like signs.
Full bellies heavy in flight,
with pickings
from heaving brambles.
Roadside thistle of palest lavender,
forsakes its thorny bristle,
as furred heads of softest mink
hang on, until the wind shakes
and whistles through.
Autumn sneaks in, mulches leaves
and strips flower beds
with the efficacy of a thin lipped wife
and her Friday laundry.
They fly low, the murmuration,
with their mutterings
in warbles and whistles
chattering rattles and sharp trills.
Mimics and whirrs fill up
the evening sky and clouds roll
in a gambolled elegance of tumbleweed.
Random splodges of blackberries
stain the village and it's winding
pavements. The splatters
from starlings scatter wide -
the fuzzy circles, like signs.
Full bellies heavy in flight,
with pickings
from heaving brambles.
Roadside thistle of palest lavender,
forsakes its thorny bristle,
as furred heads of softest mink
hang on, until the wind shakes
and whistles through.
Autumn sneaks in, mulches leaves
and strips flower beds
with the efficacy of a thin lipped wife
and her Friday laundry.
They fly low, the murmuration,
with their mutterings
in warbles and whistles
chattering rattles and sharp trills.
Mimics and whirrs fill up
the evening sky and clouds roll
in a gambolled elegance of tumbleweed.
Wednesday, October 10, 2018
The Opposite of Town
by Todd Mercer
As
far
from one
interstate
as you get before
drawing closer to another,
forty-eight mile stretch with one gas station. Hills have eyes
situation, where city folks flee
before sundown, scared.
Near-empty
country,
too
still.
As
far
from one
interstate
as you get before
drawing closer to another,
forty-eight mile stretch with one gas station. Hills have eyes
situation, where city folks flee
before sundown, scared.
Near-empty
country,
too
still.
Sunday, October 7, 2018
Every Day is a Good Day
(after the calligraphy of Keido Fukushima)
by Neil Ellman
Every day is a good day
to breathe the ocean’s air
and walk along the shore
dodging waves
like sanderlings
and listening to the rush of surf
speak of the eternal
ebb and flow
that lift the heart
as hour-glass sands
sink beneath our feet.
Every day is a good day
to breathe the ocean’s air
and walk along the shore
dodging waves
like sanderlings
and listening to the rush of surf
speak of the eternal
ebb and flow
that lift the heart
as hour-glass sands
sink beneath our feet.
Arizona Dust
by M.S. Camacho
I live with the dust.
The furniture has a fine coating.
My husband’s boots.
My face and chest.
Sunspots and fine hairs
on my cheeks glow.
Coming down from the buttes
on to the hummingbird’s wings.
To the bat’s dinner song, and
between the saguaro’s crevices.
What a blessing should it
rain while the sun looked on
And while the cicadas
Sang before nightfall.
Cleanse me with ozone,
creosote bushes, and full moons.
Then, anoint me again with the
Desert’s fine red powder.
I live with the dust.
The furniture has a fine coating.
My husband’s boots.
My face and chest.
Sunspots and fine hairs
on my cheeks glow.
Coming down from the buttes
on to the hummingbird’s wings.
To the bat’s dinner song, and
between the saguaro’s crevices.
What a blessing should it
rain while the sun looked on
And while the cicadas
Sang before nightfall.
Cleanse me with ozone,
creosote bushes, and full moons.
Then, anoint me again with the
Desert’s fine red powder.
Confidence Question
by John Zedolik
A hundred yards to the shore
to solid earth, deliverance
and driving off,
just a jump—come on—
bathtub deep, lemon-yellow
squeezy ducks at the bouncing bottom
if you happen to drop down
into those depths beyond the green-black
surface, but you’ll skim
this with your strong strokes on only
this greatest and most northerly lake
don’t worry about the mischief of strong current
at a constant forty degrees. The boat’s too slow,
and five p.m. is far in the future.
The plunge will take you now.
A hundred yards to the shore
to solid earth, deliverance
and driving off,
just a jump—come on—
bathtub deep, lemon-yellow
squeezy ducks at the bouncing bottom
if you happen to drop down
into those depths beyond the green-black
surface, but you’ll skim
this with your strong strokes on only
this greatest and most northerly lake
don’t worry about the mischief of strong current
at a constant forty degrees. The boat’s too slow,
and five p.m. is far in the future.
The plunge will take you now.
Wednesday, October 3, 2018
The First Rule of Substrata:
You Don’t Talk About Substrata
by Todd Mercer
There’s The Underground,
which everyone’s familiar with,
your standard shadow networks,
grey-to-black markets.
I’m talking about the underground
that people in the regular one
have only heard rumor about.
Below the sewer tunnels,
barely above
the collective unconscious,
the hydrologic caverns,
steaming mantle,
boiling molten core.
There’s The Underground,
which everyone’s familiar with,
your standard shadow networks,
grey-to-black markets.
I’m talking about the underground
that people in the regular one
have only heard rumor about.
Below the sewer tunnels,
barely above
the collective unconscious,
the hydrologic caverns,
steaming mantle,
boiling molten core.
Sunday, September 30, 2018
The Old Stone Wall
by Anne McMaster
So much is lost.
I walk the lane this silent autumn night
up towards the old farm.
A soft mist hangs low on empty, moss-edged fields
and the patient wildflower scent is strong.
Three small girls – three ghosts –
tumble behind me as I go:
racing past me up the summer lane to find their father at the hay -
chasing a small dog, yelping, laughing,
carrying a bottle of tea and a wrapped piece for the hungry man.
Walking behind the trailer on an autumn dusk
hair prickling with flecks of straw
mouths sweet and dark with blackberries
plucked warm from an August hedge.
Then huddled, silent and golden-eyed on a dark October night
watching bonfire sparks burst up to the stars -
their peach-soft skin blushed with heat
each goose-bumped with fear of the encroaching night.
The lands and farm are gone.
Sold on, re-worked, the houses razed.
Only the old stone wall – aged older than the girls – remains.
We climbed it then
a barrier rough and tall;
a challenge to our brief-lived years.
Now, tonight, I see it as a thing of timeless beauty:
of workmanship and pride.
The three small girls tumble over it
riotous and laughing
and are gone.
So much is lost.
I walk the lane this silent autumn night
up towards the old farm.
A soft mist hangs low on empty, moss-edged fields
and the patient wildflower scent is strong.
Three small girls – three ghosts –
tumble behind me as I go:
racing past me up the summer lane to find their father at the hay -
chasing a small dog, yelping, laughing,
carrying a bottle of tea and a wrapped piece for the hungry man.
Walking behind the trailer on an autumn dusk
hair prickling with flecks of straw
mouths sweet and dark with blackberries
plucked warm from an August hedge.
Then huddled, silent and golden-eyed on a dark October night
watching bonfire sparks burst up to the stars -
their peach-soft skin blushed with heat
each goose-bumped with fear of the encroaching night.
The lands and farm are gone.
Sold on, re-worked, the houses razed.
Only the old stone wall – aged older than the girls – remains.
We climbed it then
a barrier rough and tall;
a challenge to our brief-lived years.
Now, tonight, I see it as a thing of timeless beauty:
of workmanship and pride.
The three small girls tumble over it
riotous and laughing
and are gone.
Eternity Turn
by Winston Derden
Consider the cleverness of the Cooper’s hawk
who glides disguised the upslope of the roof,
crests the ridge, and dives on pigeons
perched at the feeder hanging from the eave next door:
the crash and sway, the spilling of seeds,
the prey pinned against the box,
the futile flap of wings
as talons sink in, and the predator
rises above the roofline, bundle compacted,
elevating toward hungry chicks hidden away
in a nest new-found since the city sawed down
the elm that canopied the park, a disease in its heart.
Pestilence and predation invert the arc;
the cycle turns on the wings of a hawk.
Consider the cleverness of the Cooper’s hawk
who glides disguised the upslope of the roof,
crests the ridge, and dives on pigeons
perched at the feeder hanging from the eave next door:
the crash and sway, the spilling of seeds,
the prey pinned against the box,
the futile flap of wings
as talons sink in, and the predator
rises above the roofline, bundle compacted,
elevating toward hungry chicks hidden away
in a nest new-found since the city sawed down
the elm that canopied the park, a disease in its heart.
Pestilence and predation invert the arc;
the cycle turns on the wings of a hawk.
Late September
by Ben Rasnic
Earth sheds
its worn, frayed coat
of Indian Summer,
cools in the silent
avalanche
of deep, sleeping leaves.
Earth sheds
its worn, frayed coat
of Indian Summer,
cools in the silent
avalanche
of deep, sleeping leaves.
Wednesday, September 26, 2018
Hush
by Kimberly Behre Kenna
The secret of dawn
Tucked in the cup of the moon
Dark brew, gold nectar
The secret of dawn
Tucked in the cup of the moon
Dark brew, gold nectar
Sunday, September 23, 2018
Uruguayan Autumn
by Terrence Sykes
orchards so ancient
now copse
olives & quinces
gather along the ridge
as it slopes toward the arroyo grande
bulrushes & cattails
merge coverage confuse
water & terra firma
ombra of figs clustered about
our little yet warm cottage
autumn rains already filled
heady aromas in the empty
mushroom baskets commingling
with the fragrance of last night’s
boiled cabbage and boar
eggs & potatoes pile
upon the overflowing table
chest of drawers laden
with forage jams
cupboards hold jars
pickled okra & green beans
harvested from the reluctant garden
rutabagas & pumpkins await in the
darkened unheated stone room
with garlic from several moons ago
all these a bit of autumn light
stored away to ward off
darkness of winter
clouds block the sky
dawn will arrive
of its own will
orchards so ancient
now copse
olives & quinces
gather along the ridge
as it slopes toward the arroyo grande
bulrushes & cattails
merge coverage confuse
water & terra firma
ombra of figs clustered about
our little yet warm cottage
autumn rains already filled
heady aromas in the empty
mushroom baskets commingling
with the fragrance of last night’s
boiled cabbage and boar
eggs & potatoes pile
upon the overflowing table
chest of drawers laden
with forage jams
cupboards hold jars
pickled okra & green beans
harvested from the reluctant garden
rutabagas & pumpkins await in the
darkened unheated stone room
with garlic from several moons ago
all these a bit of autumn light
stored away to ward off
darkness of winter
clouds block the sky
dawn will arrive
of its own will
Intimations
Waimea Falls, Oahu
by Amy Uyematsu
something about the hush
beyond trees
an afternoon
drunk with the scent
of hibiscus
white ginger & orange
silence is this river
snaking through the old
canyon walls
water rushing
to answer hidden
bed of stones
& one more offering
of clouds
as wind paints sky each
different stroke born
from a thousand
nascent breezes
something about the hush
beyond trees
an afternoon
drunk with the scent
of hibiscus
white ginger & orange
silence is this river
snaking through the old
canyon walls
water rushing
to answer hidden
bed of stones
& one more offering
of clouds
as wind paints sky each
different stroke born
from a thousand
nascent breezes
Too Much With Us
by Anita Sullivan
I jump into the hinge of light leaning open
against the Japanese Maple's trunk,
August grass hay-colored and inert upon the yard,
with no agenda,
reflecting nothing.
(This is where laughter resides
its mansion of fireflies).
The setting sun a serpent's tongue across the dessicated grass,
feeling for reflections, strikes
horizontal against the sunflowers in the raised bed, most of them
facing the wrong direction
for their own good reason,
reminds me of yesterday
the photos
on the wall of the eye doctor's room
the black holes in the exact center
of the rayed orange circles – how the eye resembles
(when photographed thus) – a sunflower
how the pupil, dark with seed-threads
inadequately
contracts to avoid blindness, counts on us
to always turn away.
I jump into the hinge of light leaning open
against the Japanese Maple's trunk,
August grass hay-colored and inert upon the yard,
with no agenda,
reflecting nothing.
(This is where laughter resides
its mansion of fireflies).
The setting sun a serpent's tongue across the dessicated grass,
feeling for reflections, strikes
horizontal against the sunflowers in the raised bed, most of them
facing the wrong direction
for their own good reason,
reminds me of yesterday
the photos
on the wall of the eye doctor's room
the black holes in the exact center
of the rayed orange circles – how the eye resembles
(when photographed thus) – a sunflower
how the pupil, dark with seed-threads
inadequately
contracts to avoid blindness, counts on us
to always turn away.
Wednesday, September 19, 2018
Zion
by Arinda duPont
In March, the perfume of orange blossoms fills the air.
Humming birds fly beside hibiscus flowers sipping nectar.
Spring fades to summer in an instant.
There are no clouds
Just yellow grass, Palo Verde trees and orange sunsets.
In September, the scent of rye clippings and Jasmin blooms is carried by the wind
Up mountains and down valleys.
Geese fly overhead squabbling in a big V,
“Zion, Zion, where art thou?”
In the Arizona winter.
In March, the perfume of orange blossoms fills the air.
Humming birds fly beside hibiscus flowers sipping nectar.
Spring fades to summer in an instant.
There are no clouds
Just yellow grass, Palo Verde trees and orange sunsets.
In September, the scent of rye clippings and Jasmin blooms is carried by the wind
Up mountains and down valleys.
Geese fly overhead squabbling in a big V,
“Zion, Zion, where art thou?”
In the Arizona winter.
Sunday, September 16, 2018
En Plein Air
by M.J. Iuppa
1.
Overcast and steamy, the gray sky
warps beneath brushstrokes, thick
then fine, illustrating the fitful flight
of a hawk chased by a sparrow beyond
the old sugar maple casting its shadow
over a field of ripe straw— beyond
the fallen barn’s pretext.
2.
Mums the word. Who said that?
Everything in the cemetery is dead.
Someone left a fistful of mums
pressed against a granite marker.
3.
Grass turns yellow by August. Not
dead, but asleep. Maybe practically
dead, since it doesn’t grow until
it rains. It hasn’t rained in weeks.
1.
Overcast and steamy, the gray sky
warps beneath brushstrokes, thick
then fine, illustrating the fitful flight
of a hawk chased by a sparrow beyond
the old sugar maple casting its shadow
over a field of ripe straw— beyond
the fallen barn’s pretext.
2.
Mums the word. Who said that?
Everything in the cemetery is dead.
Someone left a fistful of mums
pressed against a granite marker.
3.
Grass turns yellow by August. Not
dead, but asleep. Maybe practically
dead, since it doesn’t grow until
it rains. It hasn’t rained in weeks.
Why the wrens are silent before Winter
by Ergene Kim
the dying bit of bluegrass
in the shallow corners of
the darkened meadow, covered
with the shadow of snow,
must have forgotten. There are
no wrens in winter.
and so the lone wind
sings again among the willows.
Whoosh, whoosh, it says, and
the sound of midnight is not lost.
Dare to sing with me, says the Wren,
and she is gone, like all the rest.
the dying bit of bluegrass
in the shallow corners of
the darkened meadow, covered
with the shadow of snow,
must have forgotten. There are
no wrens in winter.
and so the lone wind
sings again among the willows.
Whoosh, whoosh, it says, and
the sound of midnight is not lost.
Dare to sing with me, says the Wren,
and she is gone, like all the rest.
Wednesday, September 12, 2018
Encounter on Effigy Hill
by Darrell Petska
Whomever you are,
leave this sacred mound
slumbering for millennia
among switchgrass and brome.
I am Turkey Mother,
spirit guardian of those
gone to the upper world
in the great migration of the dead.
Yes, run! And should you be spared
my pounding claws and lancing beak,
know I am pledged to my people
frantically calling me back.
Whomever you are,
leave this sacred mound
slumbering for millennia
among switchgrass and brome.
I am Turkey Mother,
spirit guardian of those
gone to the upper world
in the great migration of the dead.
Yes, run! And should you be spared
my pounding claws and lancing beak,
know I am pledged to my people
frantically calling me back.
Sunday, September 9, 2018
A Horse Sees Things Differently
by Karen Poppy
Among each of these twenty
Snowy mountains, grass moves
If you look down to see it.
I look, and I nibble
As much as I can.
They want me to look up.
A blackbird shadows our sky.
I do not need to see
The blackbird to know
Its shadow.
Man fears more than he knows.
I fear some things I know,
And it’s not the blackbird.
I fear rain and wind,
But never snow, nor shadow.
I fear snapping twigs
Until they remind me to eat.
I see a maple leaf
And grow hungry for it,
Blackbird be damned.
The blackbird knows better.
It moves to a cedar tree.
The wind moves and fear runs
Through my ears and I
Mistake nothing of my fear.
A man and a woman
And a blackbird.
The taut
Telephone wires of my reins.
The river is moving.
So let me graze.
The blackbird watches overhead.
Among each of these twenty
Snowy mountains, grass moves
If you look down to see it.
I look, and I nibble
As much as I can.
They want me to look up.
A blackbird shadows our sky.
I do not need to see
The blackbird to know
Its shadow.
Man fears more than he knows.
I fear some things I know,
And it’s not the blackbird.
I fear rain and wind,
But never snow, nor shadow.
I fear snapping twigs
Until they remind me to eat.
I see a maple leaf
And grow hungry for it,
Blackbird be damned.
The blackbird knows better.
It moves to a cedar tree.
The wind moves and fear runs
Through my ears and I
Mistake nothing of my fear.
A man and a woman
And a blackbird.
The taut
Telephone wires of my reins.
The river is moving.
So let me graze.
The blackbird watches overhead.
Imbros Gorge
by Joanne Veiss-Zaken
Uneven seam darts through Cretan rock
a crooked old man through eons
where donkeys once tread
paths spiral and turn
small tremors barely discernable
vibrate through the island
cicadas chant
forte then piano
entertaining those foolish enough
to walk the twisted line
wild goats watch and wonder
why we do this.
Uneven seam darts through Cretan rock
a crooked old man through eons
where donkeys once tread
paths spiral and turn
small tremors barely discernable
vibrate through the island
cicadas chant
forte then piano
entertaining those foolish enough
to walk the twisted line
wild goats watch and wonder
why we do this.
Acid Rain
by Violet Mitchell
Electricity is the cream filling of our country—
even the fish see it as art. Genocide is a strong adjective,
but there are ghosts who linger under highways, dead with
half-tweeted comments. We make crop circles out of juice
boxes, conspiracies from viewfinder scratches. Our misplaced
strands of hair became the fuses for abundant plastic lighters.
Soon we will feast on chicken pot pie, but all the birds OD’d
on hormones and now we eat the extra platypuses that wash
ashore. You & I dig our toes in glowing sand, nets in hand,
scouting for dinner and anything normal.
Electricity is the cream filling of our country—
even the fish see it as art. Genocide is a strong adjective,
but there are ghosts who linger under highways, dead with
half-tweeted comments. We make crop circles out of juice
boxes, conspiracies from viewfinder scratches. Our misplaced
strands of hair became the fuses for abundant plastic lighters.
Soon we will feast on chicken pot pie, but all the birds OD’d
on hormones and now we eat the extra platypuses that wash
ashore. You & I dig our toes in glowing sand, nets in hand,
scouting for dinner and anything normal.
Wednesday, September 5, 2018
Skating on Thin Ice
by John Dorroh
data-driven dreams of majestic
white mountains, of fur and snow and ice, jutting
thousands of meters into a frigid blue sky
birthing glaciers for ruby-cheeked
tourists, too anxious for the all-you-can-eat buffet, forget
the puffins and whales who will always be on exhibit here
in this frozen wasteland
our clock is speeding up, accelerating,
in fact, along a doomsday strip of thinning ice. we must kiss
this place, pull it in to our breasts, savor, leave it alone
data-driven dreams of majestic
white mountains, of fur and snow and ice, jutting
thousands of meters into a frigid blue sky
birthing glaciers for ruby-cheeked
tourists, too anxious for the all-you-can-eat buffet, forget
the puffins and whales who will always be on exhibit here
in this frozen wasteland
our clock is speeding up, accelerating,
in fact, along a doomsday strip of thinning ice. we must kiss
this place, pull it in to our breasts, savor, leave it alone
Sunday, September 2, 2018
U-nomia
by Josephine Greenland
A biological cartographer
in a bracken of unclassifieds
I pass through nomenclature
microscope for an eye.
Here is dwarf willow,
creeping the earth carpet
catkins tilted to buttercup sun
- the Ranunculus on cumulus.
Yellow catkins and red catkins,
I signify you male and female.
I classify you: woody plant, diocious.
I baptize you: Salix Herbacea,
I sample you: Regnum Vegetabile.
I dry your leaves, for montage in glass.
I translate you.
Perhaps
I forget you.
I walk for etymology.
My undulating latin tracks
mapping stony Nordic expanse.
Here, the genus of bell heathers.
There, the acidity of wolf lichen.
A biological cartographer
in an ecology of names
trampling the bracken of unclassifieds.
A biological cartographer
in a bracken of unclassifieds
I pass through nomenclature
microscope for an eye.
Here is dwarf willow,
creeping the earth carpet
catkins tilted to buttercup sun
- the Ranunculus on cumulus.
Yellow catkins and red catkins,
I signify you male and female.
I classify you: woody plant, diocious.
I baptize you: Salix Herbacea,
I sample you: Regnum Vegetabile.
I dry your leaves, for montage in glass.
I translate you.
Perhaps
I forget you.
I walk for etymology.
My undulating latin tracks
mapping stony Nordic expanse.
Here, the genus of bell heathers.
There, the acidity of wolf lichen.
A biological cartographer
in an ecology of names
trampling the bracken of unclassifieds.
The Sky Ungainly
by David Anthony Sam
Becoming one with slow wind,
the heron rises in awkward launch
to gray uncertainty of clouds,
mist wavering dawn light.
This ungainly flight wisdoms
in feathers and spindly legs,
lifting from the long patience
of stillness and waiting.
She flies hollow bones that
inward shape her rising to gray light.
A squall descends, disappearing
her feathered motion into mist.
Becoming one with slow wind,
the heron rises in awkward launch
to gray uncertainty of clouds,
mist wavering dawn light.
This ungainly flight wisdoms
in feathers and spindly legs,
lifting from the long patience
of stillness and waiting.
She flies hollow bones that
inward shape her rising to gray light.
A squall descends, disappearing
her feathered motion into mist.