by Peter Mladinic
I’ve come back to the weeping willow on the river bend,
to what was here before I was born.
I’ve brought no water.
For this river is the source of all water, though its brown.
The willow across the river,
the source of all green, makes me think of its opposite:
a crushed Pepsi can
on a cement stump in a parking lot behind a theater
one early night in March,
an image that stays with me here on the riverbank,
though I’ve long forgotten images on the theater screen
that night.
I took a black and white of the willow.
By the time I saw the crushed can on the cement stump
I’d lost the tree’s image,
which encompassed woods behind it, and river,
the part where the river curved, and back above it.
I’ve come back from a walk along a busy road,
which reminds me of a walk along a runway, uphill,
a runway for small planes,
on the hilltop an adobe house built by a pilot
in whose plane I flew,
years after seeing the crushed can on the cement stump
close to a brick wall that night, years ago.
I’ve come back to the weeping willow on the river bend,
to what was here before I was born.
I’ve brought no water.
For this river is the source of all water, though its brown.
The willow across the river,
the source of all green, makes me think of its opposite:
a crushed Pepsi can
on a cement stump in a parking lot behind a theater
one early night in March,
an image that stays with me here on the riverbank,
though I’ve long forgotten images on the theater screen
that night.
I took a black and white of the willow.
By the time I saw the crushed can on the cement stump
I’d lost the tree’s image,
which encompassed woods behind it, and river,
the part where the river curved, and back above it.
I’ve come back from a walk along a busy road,
which reminds me of a walk along a runway, uphill,
a runway for small planes,
on the hilltop an adobe house built by a pilot
in whose plane I flew,
years after seeing the crushed can on the cement stump
close to a brick wall that night, years ago.
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